Kartik Aaryan takes legal route to protect his identity, flags online misuse

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Actor Kartik Aaryan has approached the Bombay High Court, alleging unauthorised commercial use of his personality across multiple online platforms, in a move that underscores growing concerns over digital misuse of celebrity identities. According to reports, the actor has filed an intellectual property (IP) suit seeking protection of his name, image, likeness, and other identifiable attributes, which he claims are being used without consent. The plea targets several online platforms as well as unidentified individuals, often referred to as “John Doe” parties, accused of exploiting his persona for commercial gain. In his petition, Kartik has sought a permanent injunction to restrain entities from using his identity in advertisements, merchandise, or digital content. He has also urged the court to direct platforms to take down such material and disclose details of those responsible. The actor’s legal team has argued that the misuse extends to emerging digital formats, including manipul...
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The Cure review – eat-the-rich horror fable with a sinister life-extension twist

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A fabulously wealthy teen girl with lupus makes a new friend who pulls her out of plush isolation and toward some dark discoveries

It’s been a long, slow slog but after years of market research and audience studies, as well as the success of films like The Substance, those who bankroll horror movies have finally accepted an incontrovertible fact: that women consume the genre not just because they’re along for the ride, but as a primary audience who want to see their own fears and anxieties at the dead centre. And we’re here for it, as the kids say, although this inevitably means there will be a fair amount of shonky, slapdash gynocentric horror on offer, often with generous side portions of eat-the-rich resentment.

This teen-focused feature film, like recent hot-mess TV series The Beauty, is a case in point. Directed by Nancy Leopardi and written by Jonathan Bernstein and James Greer (who wrote Steven Soderbergh’s Unsane), The Cure is a fable of poor little rich girl loneliness that has lots of smart ideas, but cuts its narrative corners a little too tightly to take it up to the next level.

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