Preity Zinta approaches Bombay High Court to take down AI deepfake content; next hearing scheduled on July 6

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Actor Preity Zinta has approached the Bombay High Court seeking the removal of AI-generated deepfake videos, morphed images and other unauthorised content featuring her from social media and online platforms. The actress has also sought an injunction to prevent the publication and circulation of such content in the future. The matter came up for hearing before a single bench of Justice Madhav Jamdar on Friday. After hearing preliminary submissions, the court directed the parties, including the online platforms concerned, to work out a mechanism for taking down the allegedly offending material. The matter has now been listed for further hearing on July 6. Preity Zinta seeks removal of AI-generated content In her civil suit, Preity Zinta has referred to multiple instances of AI-generated deepfakes, morphed visuals and chatbot-style interactions that allegedly use her likeness without authorisation. According to the plea, the actress has sought urgent directions from the Bombay High Cour...
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‘I’ve had white knuckle moments’: Michael Socha on This Is England, his patchy beard – and seedy new casino thriller The Cage

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As he stars alongside Sheridan Smith as a casino boss on the take, the actor talks about leaving school with no qualifications, playing vile dads – and why he’s eager to circulate the This Is England reunion rumour

Michael Socha is about to jump on a train to Wales. The impressively bushy beard he’s got is for his role in The Witch House, a dramatic adaptation of an episode of the Danny Robins podcast Uncanny, about a supposed haunting in the Brecon Beacons. He plays Bill Rich, who moves his family to a spooky old farmhouse where it all goes “horribly wrong”, Socha says. “In the photos he has a beard, and I thought, ‘I’ll match that.’” The actor strokes his chin and turns his head from side to side. It looks pretty substantial to me. “You say that, but see this bit? I’m struggling. It’s a bit patchy there. I’m happy with this bit, but then this needs work.”

Socha has just left a screening of his new BBC thriller The Cage, and he has the gentle bounce of a man who struggles to stay still. As with his beard, he finds it hard not to find flaws in what he’s done. Normally, he admits, he tries to avoid watching himself on screen. “I’ll sort of nitpick away,” he shrugs, but he had such a nice time making The Cage that he was looking forward to seeing it. “But the more you watch something, the more you find bits that you’re not too happy with.”

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