Sooraj Barjatya & Mahaveer Jain to unveil title and release date of Ayushmann Khurrana and Sharvari starrer

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In what is being described as one of Hindi cinema's most eagerly awaited announcements of the year, veteran filmmaker Sooraj Barjatya and Mahaveer Jain are set to reveal the title and release date of his upcoming film today a project that has been shrouded in deliberate, masterful secrecy for months. The film, produced jointly by Rajshri Productions the house that Barjatya built into a byword for wholesome Indian storytelling and Mahaveer Jain, is understood to be a sweeping family entertainer, a genre the director has elevated and made entirely his own across a career spanning three decades. At the heart of this highly anticipated project is a headline-grabbing pairing, National Award-winning actor Ayushmann Khurrana alongside the fast-rising Sharvari, whose star trajectory has made her one of the most sought-after talents in contemporary Bollywood. Their combination has already ignited fervent speculation among fans and trade observers alike. Perhaps equally thrilling for musi...
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‘I’ve had white knuckle moments’: Michael Socha on This Is England, his patchy beard – and seedy new casino thriller The Cage

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As he stars alongside Sheridan Smith as a casino boss on the take, the actor talks about leaving school with no qualifications, playing vile dads – and why he’s eager to circulate the This Is England reunion rumour

Michael Socha is about to jump on a train to Wales. The impressively bushy beard he’s got is for his role in The Witch House, a dramatic adaptation of an episode of the Danny Robins podcast Uncanny, about a supposed haunting in the Brecon Beacons. He plays Bill Rich, who moves his family to a spooky old farmhouse where it all goes “horribly wrong”, Socha says. “In the photos he has a beard, and I thought, ‘I’ll match that.’” The actor strokes his chin and turns his head from side to side. It looks pretty substantial to me. “You say that, but see this bit? I’m struggling. It’s a bit patchy there. I’m happy with this bit, but then this needs work.”

Socha has just left a screening of his new BBC thriller The Cage, and he has the gentle bounce of a man who struggles to stay still. As with his beard, he finds it hard not to find flaws in what he’s done. Normally, he admits, he tries to avoid watching himself on screen. “I’ll sort of nitpick away,” he shrugs, but he had such a nice time making The Cage that he was looking forward to seeing it. “But the more you watch something, the more you find bits that you’re not too happy with.”

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