Diane Keaton’s nail clippers for $960: what’s behind the new boom in celebrity estate auctions?

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With beloved stars’ personal items increasingly up for grabs after they die, a new generation of fans are bidding on everything from bowler hats to dog bowls From Diane Keaton’s bowler hats and polka dot scarfs, to Gene Hackman’s used paint brushes, to Terence Stamp’s love letters from Jean Shrimpton and even Matthew Perry’s black leather wallet (his credit cards and AAA membership card still inside), fans are being offered – at a price – increasingly personal items from the estates of dead celebrities. The growing trend for auctions of deceased famous people’s personal items – which has boomed ever since the hugely popular Marilyn Monroe estate sale in 1999 – has even attracted its own portmanteau: “deleb” as in dead celebrity. Continue reading... from Film | The Guardian https://ift.tt/4Yh215g via IFTTT
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‘I’ve had white knuckle moments’: Michael Socha on This Is England, his patchy beard – and seedy new casino thriller The Cage

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As he stars alongside Sheridan Smith as a casino boss on the take, the actor talks about leaving school with no qualifications, playing vile dads – and why he’s eager to circulate the This Is England reunion rumour

Michael Socha is about to jump on a train to Wales. The impressively bushy beard he’s got is for his role in The Witch House, a dramatic adaptation of an episode of the Danny Robins podcast Uncanny, about a supposed haunting in the Brecon Beacons. He plays Bill Rich, who moves his family to a spooky old farmhouse where it all goes “horribly wrong”, Socha says. “In the photos he has a beard, and I thought, ‘I’ll match that.’” The actor strokes his chin and turns his head from side to side. It looks pretty substantial to me. “You say that, but see this bit? I’m struggling. It’s a bit patchy there. I’m happy with this bit, but then this needs work.”

Socha has just left a screening of his new BBC thriller The Cage, and he has the gentle bounce of a man who struggles to stay still. As with his beard, he finds it hard not to find flaws in what he’s done. Normally, he admits, he tries to avoid watching himself on screen. “I’ll sort of nitpick away,” he shrugs, but he had such a nice time making The Cage that he was looking forward to seeing it. “But the more you watch something, the more you find bits that you’re not too happy with.”

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