Saiee M Manjrekar begins shooting for new romantic drama in Italy; official announcement expected soon

Saiee M Manjrekar has reportedly commenced work on yet another project, adding to her growing slate of films across multiple industries. The actress is currently in Italy, where she has begun shooting for what is being described as a romantic drama, although an official announcement regarding the film is still awaited. According to sources, Saiee has travelled to the picturesque European country to begin the first schedule of the yet-untitled project. The film is said to be helmed by a debutant director and is expected to be extensively shot across scenic locations in Italy, with the story unfolding against a summer backdrop. While the makers have remained tight-lipped about the project, the development has sparked curiosity among fans eager to know more about the actress' next outing. Details regarding the film's cast, title and production banner are currently under wraps, with an official announcement expected in the coming days. A source close to the development shared, ...

Q review – freedom, lies and transgressions in emotional fallout from a secretive Muslim women’s movement

Jude Chehab turns the camera on the maelstrom – and slow liberation – after her mother’s expulsion from controversial group al-Qubaysiat

Opening the Pandora’s box of her family secrets, Jude Chehab makes a complex and moving documentary debut that unfolds both as an investigation and as a kind of intergenerational therapy. For decades, her mother, Hiba, was devoted to al-Qubaysiat, a highly secretive female Muslim order that operates in Lebanon and Syria. Chehab’s grandmother Doria had also been a follower, and the film-maker herself was initiated into the group as a young girl. For the two older women, this all-female religious movement inspired feelings of solidarity and freedom, yet al-Qubaysiat also demanded absolute submission to the leader, known to followers as the Anisa, or the Teacher. And when Hiba was expelled for unclear transgressions, her world fell apart.

In contrast to other documentaries on controversial organisations, Chehab’s film doesn’t sensationalise the tactics of indoctrination. In fact, information about the group only comes in bits and pieces, as revealed by Hiba and Doria. This storytelling choice lifts the focus away from the unseen but powerful Anisa, focusing instead on the emotional maelstrom endured by Hiba and the rest of Chehab’s family. Chehab might have thought of her camera as a potent tool for catharsis, yet when she urged her father to speak on the al-Qubaysiat, his answers were not as scathing as she had hoped, as if he had gone off an imaginary script.

Continue reading...

from Film | The Guardian https://ift.tt/NFBvHEh
via IFTTT

Comments

Popular posts from this blog

The Miracle Club review – Maggie Smith can’t save this rocky road trip to Lourdes

‘I lost a friend of almost 40 years’: Nancy Meyers pays tribute to Diane Keaton

Malaika Arora scolds 16-year-old dancer for inappropriate gestures: “He is winking, giving flying kisses”