Shakti Kapoor reacts to death hoax, says “My death news is all fake”; actor to file cyber complaint

Veteran actor Shakti Kapoor has strongly reacted to fake reports of his demise that recently surfaced online. The actor took to social media to personally dismiss the rumours and reassure fans and loved ones that he is safe, healthy, and doing absolutely fine. In a short video message shared online, the actor addressed the misleading reports directly and urged everyone not to believe them. “Hello everyone. My death news is all fake. I am healthy and happy. Please ignore it”, he said. Expressing disappointment over the circulation of such rumours, Shakti Kapoor also revealed that he intends to take legal action against those responsible for spreading the false information. “I am going to file a cyber complaint about it because this is not good,” he added in the video.   View this post on Instagram   A post shared by Shakti Kapoor (@shaktikapoor) Soon after the actor posted the clarification, several fans flooded the comments section with messages of relief and support. Many ...

Q review – freedom, lies and transgressions in emotional fallout from a secretive Muslim women’s movement

Jude Chehab turns the camera on the maelstrom – and slow liberation – after her mother’s expulsion from controversial group al-Qubaysiat

Opening the Pandora’s box of her family secrets, Jude Chehab makes a complex and moving documentary debut that unfolds both as an investigation and as a kind of intergenerational therapy. For decades, her mother, Hiba, was devoted to al-Qubaysiat, a highly secretive female Muslim order that operates in Lebanon and Syria. Chehab’s grandmother Doria had also been a follower, and the film-maker herself was initiated into the group as a young girl. For the two older women, this all-female religious movement inspired feelings of solidarity and freedom, yet al-Qubaysiat also demanded absolute submission to the leader, known to followers as the Anisa, or the Teacher. And when Hiba was expelled for unclear transgressions, her world fell apart.

In contrast to other documentaries on controversial organisations, Chehab’s film doesn’t sensationalise the tactics of indoctrination. In fact, information about the group only comes in bits and pieces, as revealed by Hiba and Doria. This storytelling choice lifts the focus away from the unseen but powerful Anisa, focusing instead on the emotional maelstrom endured by Hiba and the rest of Chehab’s family. Chehab might have thought of her camera as a potent tool for catharsis, yet when she urged her father to speak on the al-Qubaysiat, his answers were not as scathing as she had hoped, as if he had gone off an imaginary script.

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