Pawan Kalyan’s Ustaad Bhagat Singh to clash with Dhurandhar: The Revenge on March 19

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While Yash has played it safe with his Toxic, relocating it as far away from Dhurandhar: The Revenge as possible, another braveheart has decided to take on Aditya Dhar’s sequel head-on. Pawan Kalyan ambitious project Ustaad Bhagat Singh has been preponed from March 22 to March 19, thereby precipitating a direct clash with Dhurandhar 2. Pawan took this flash decision following the postponement of Yash’s Toxic from March 19 to June 4. A source very close to Dhurandhar told this writer that Pawan Kalyan’s airdrop means nothing to the Dhurandhar team. They were not perturbed by the release of Toxic on March 19, they are not taking the competition from Ustaad Bhagat Singh seriously. However, Pawan Kalyan is taking the clash to the highest level. A source close to Pawan revealed, “He firmly feels the March 19 slot and its Eid and Rama Navami holidays offer enough room for more than one blockbuster. He will be vigorously promoting...
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‘Our bond is private. Some things have to stay between us’: Paolo Sorrentino and Toni Servillo on smoking, cinema and secrets

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A drama about a president at the end of his career, La Grazia is the director’s finest film since The Great Beauty. As he reunites with his longtime collaborator, the pair discuss ageing, loyalty and the mysterious energy that has bound them for more than two decades

‘They like to smoke,” says the publicist ahead of my interview with Paolo Sorrentino and Toni Servillo. That’s why the table and chairs have been hastily dragged outside. That’s why today’s audience will be conducted alfresco. We’re on the cramped sixth-floor balcony of a Venice hotel, overlooking the sea, beneath a tumult of dark clouds. The publicist points down at my recording device and asks: “Will it pick up what they say, or just the noise of the wind?”

They like to smoke – of course they do. The Italian film-maker and his muse are both men of old Europe: rigid and courtly and serenely unreconstructed; dignified at the core and a little rackety around the edges. They’ve made seven pictures together and dearly hope they’ll make an eighth. But who can predict? Even the best-laid plans can come a cropper. Sorrentino and Servillo know that time is finite and that the reassuring old order is slipping into the past. They’ve barely whipped out their cigars before the rain comes in sideways. We survive two minutes on the balcony and trundle back to the table indoors.

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