Salman Khan’s Maatrubhumi to undergo 40-day reshoot, new song in the works: Report

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Actor Salman Khan recently announced a significant update to his upcoming war drama, revealing its new title as Maatrubhumi: May War Rest in Peace. The project was earlier known as Battle of Galwan, and the revised name points to a noticeable shift in tone and messaging. Directed by Apoorva Lakhia, the film is inspired by the 2020 India-China military clash in the Galwan Valley. Salman Khan will portray late Colonel Bikumalla Santosh Babu in the film, which initially began shooting in Ladakh in September 2025 and was close to completion by December the same year. However, the project is currently undergoing extensive changes. According to a Mid-Day report, the team has been reshooting portions of the film in Mumbai since February 2026, with nearly 40 days of additional work planned. The revised schedule includes filming new sequences aimed at reshaping the narrative. One of the notable additions is a Chinese-language song, which will be composed by Himesh Reshammiya. The song is exp...
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‘Arms and legs are very expressive, especially with bruises’: the absurdist photography of Yorgos Lanthimos

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Ditched washing machines, a woman’s bare leg, the back of Willem Dafoe’s head … the Oscar-nominated director talks us through his new photography show in Athens – made with his darkroom assistant Emma Stone

In the centre of Athens, a brand new temple has popped up. Walk around the tall white columns surrounding it and you’ll eventually find the entrance to its inner sanctum. It might not be quite as old as the nearby Parthenon but it does hold a unique kind of treasure: the personal photographs of director Yorgos Lanthimos.

Taken over the last few years as he wandered his home country, they offer a glimpse of Greece through the auteur’s absurdist eye. We see a coffin resting against a wall next to a mop, and a couple of horses with their heads chopped off by foregrounded trees. A roadside memorial is shown underneath a sign warning of danger ahead – the wiggly road symbol points directly upwards, as if suggesting the route to the next life for the poor victim. This last image is poignant, strange and funny, eliciting the same awkward clash of emotions you get from watching Lanthimos’s films.

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