Ramayana creates HISTORY at San Diego Comic-Con: 'International superstars' Ranbir Kapoor and Yash to unveil trailer with live performances and exclusive surprises in MASSIVE 4,800-seater Ballroom 20

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A few days remain before the release of the Ramayana trailer, and excitement is tremendous. Yesterday, we reported that a 4-minute-15-second-long trailer of Ramayana was cleared by the Central Board of Film Certification (CBFC) on July 15 with a 'U' certificate. Now, we bring to you some exciting details of the trailer launch event that would take place at San Diego Comic-Con. San Diego Comic-Con is the world’s largest annual pop culture and comic book convention. On July 23, the trailer of Ramayana will be screened at the prestigious event in the presence of the film’s team. The panel will be held from 3:15 pm to 4:15 pm PDT (Pacific Daylight Time), which translates to 3:45 am to 4:45 am IST (Indian Standard Time) on Friday, July 24. According to the official website of San Diego Comic-Con, producer Namit Malhotra and director Nitesh Tiwari will be joined by 'international superstars Ranbir Kapoor (Rama) and Yash (Ravana)'. The website further states that 'The pan...
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‘Arms and legs are very expressive, especially with bruises’: the absurdist photography of Yorgos Lanthimos

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Ditched washing machines, a woman’s bare leg, the back of Willem Dafoe’s head … the Oscar-nominated director talks us through his new photography show in Athens – made with his darkroom assistant Emma Stone

In the centre of Athens, a brand new temple has popped up. Walk around the tall white columns surrounding it and you’ll eventually find the entrance to its inner sanctum. It might not be quite as old as the nearby Parthenon but it does hold a unique kind of treasure: the personal photographs of director Yorgos Lanthimos.

Taken over the last few years as he wandered his home country, they offer a glimpse of Greece through the auteur’s absurdist eye. We see a coffin resting against a wall next to a mop, and a couple of horses with their heads chopped off by foregrounded trees. A roadside memorial is shown underneath a sign warning of danger ahead – the wiggly road symbol points directly upwards, as if suggesting the route to the next life for the poor victim. This last image is poignant, strange and funny, eliciting the same awkward clash of emotions you get from watching Lanthimos’s films.

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