‘Nobody would forgive me if I told the truth’: new film about pacifist turned Nazi collaborator divides France

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In Les Rayons et les Ombres, Jean Dujardin plays a real-life press baron partying during the horrors of the second world war. Director Xavier Giannoli discusses bringing this still sensitive topic to light Xavier Giannoli’s new film Les Rayons et les Ombres (Rays and Shadows) is told from the postwar perspective of Corinne Luchaire, a French actor who was once hailed as “the new Garbo” but grew too close to the Nazis during the German occupation years. As Luchaire records her thoughts on a borrowed tape recorder, she struggles to reconcile her unfaltering devotion to her father, the once-powerful press baron Jean, with his 1946 execution for treason. Her wilful blindness collapses as the Jewish director who helped launch her career visits her cramped flat. When Corinne, played by newcomer Nastya Golubeva Carax, enquires after his sister, he reveals that she died in a concentration camp. “I didn’t know,” murmurs Corinne, only to be met with the devastating reply: “Did you even try to ...
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The Moment review – Charli xcx struggles through defanged Brat summer satire

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There’s a smart idea at play here, with the star playing a hellish version of herself fighting against corporate forces, but there’s not a lot else

In April 2025, the pop singer Charli xcx posted a TikTok reflecting on nearly a year of her seminal album Brat: “It’s really hard to let go of Brat and let go of this thing that is so inherently me and become my entire life, you know?” she said. “I started thinking about culture, and the ebbs and flows and lifespan of things … ” She acknowledged that over-saturation is perilous, and that maybe she should stop, but “I’m also interested in the tension of staying too long. I find that quite fascinating.”

The frank, informal admission fit with Brat, a pop culture-shifting album that channeled, with stunning immediacy, the imperious ego and bristling insecurity of an artist keenly aware of her own precarious level of fame. Her ambivalence was understandable – Brat rapidly turned Charli, who spent over a decade as a fixture of pop’s so-called middle class, into a main pop girl, an artist played at midwest sorority weddings and used by a US presidential campaign. But her interest in “the tension of staying too long” also felt a little trite, the type of smart-sounding musing that dead-ends in self-awareness. Brat summer was heady, hedonistic, fun – a meme, an aesthetic, a vibe, a moment. That said moment passes? Well … yeah.

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