Karan Deol calls Sunny Deol “my first hero” on Father's Day 2026 note; shares glimpses from Batwara 1947 ahead of release

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After creating a strong impact with its gripping motion poster, Batwara 1947 has now unveiled a compelling series of character posters that reflect courage, innocence, resilience, and unwavering determination. Presented by Aamir Khan Productions, the film promises a deeply emotional story of sacrifice, hope, and the indomitable human spirit. As excitement for the film continues to build, Karan Deol, son of Sunny Deol, who will be sharing screen space with his father for the first time in Batwara 1947, penned a heartfelt note on Father's Day. Taking to social media, Karan Deol shared some adorable stills from the film and expressed his love and admiration for his father, Sunny Deol. While the duo is set to share screen space in Batwara 1947, Karan conveyed his immense affection and respect for his father through an emotional message. He also shared the caption: "There are moments that feel destined. Telling Papa once on his set about my dream of acting with him was one of them...
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Robert Duvall was a vigorous and subtle actor who always performed with passion and conviction

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From his steely self-effacing consigliere in The Godfather to his surf-crazed Wagner enthusiast in Apocalypse Now, just to see him on screen made me smile

Robert Duvall was a foghorn-voiced bull of pure American virility, and he put energy and heart into the movies for more than 60 years. Just to see him on screen was enough to make me smile. That handsome face and head gave him the look of a Roman emperor from Waxahachie, Texas or a three-star general playing the country music circuit. Duvall was famously bald (the rare roles needing hairpieces always looked artificial on him) and so he looked the same age almost all his acting life: forever in his vigorous fortysomething prime – though often playing figures complicated with tenderness and woundedness.

Duvall had a long, rich career, starting out with notable roles in To Kill a Mockingbird, M*A*S*H, The Conversation and Network, but it was destiny to be chiefly known for two sensational and very different roles given to him by Francis Ford Coppola at either end of the 1970s. One was Tom Hagen, the quiet, self-effacing consigliere to the Corleone crime family in The Godfather (1972), with a complex relationship both with the Don himself, played by Marlon Brando, and his youngest son and heir, the coldly imperious Michael, played by Al Pacino. And the second was his extraordinary turn as the surf-crazed Wagner enthusiast Lieutenant Colonel Kilgore in Apocalypse Now (1979), who with his “Air Mobile” division of helicopters leads a gigantic attack on a Vietnamese village in broad daylight, with speakers blaring The Ride of the Valkyries – in theory to airlift Captain Willard, played by Martin Sheen, and his boatful of men into the river’s strategic entry point. But all too clearly, it’s because he just wants an excuse for a whooping and hollering cavalry attack.

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