SCOOP: Salman Khan’s look in Dil Raju’s next gets the Dhurandhar touch; Preetisheel Singh joins the project

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Salman Khan is back, and all focused on making a solid comeback, lining up back-to-back exciting projects. The superstar is currently shooting for producer Dil Raju's next film, directed by Vamshi Paidipally in Mumbai. Bollywood Hungama has exclusively learnt that Dil Raju and team are leaving no stone unturned to deliver an honest and solid theatrical experience for the audience. According to reliable sources, Dil Raju and Vamshi Paidipally have roped in Preetisheel Singh to do the make-up for Salman Khan in the film. "Salman Khan sports multiple looks in the film, and they have been designed to perfection by Preetisheel under the guidance of Vamshi Paidipally. Singh has previously worked on Dhurandhar with Aditya Dhar, which won acclaim all across for its authentic prosthetics and make-up. She has created a never-before-seen look for Salman." The source further informs that Salman too is very happy with the makeover given to his aura, and is all charged up to lead this...
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Robert Duvall was a vigorous and subtle actor who always performed with passion and conviction

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From his steely self-effacing consigliere in The Godfather to his surf-crazed Wagner enthusiast in Apocalypse Now, just to see him on screen made me smile

Robert Duvall was a foghorn-voiced bull of pure American virility, and he put energy and heart into the movies for more than 60 years. Just to see him on screen was enough to make me smile. That handsome face and head gave him the look of a Roman emperor from Waxahachie, Texas or a three-star general playing the country music circuit. Duvall was famously bald (the rare roles needing hairpieces always looked artificial on him) and so he looked the same age almost all his acting life: forever in his vigorous fortysomething prime – though often playing figures complicated with tenderness and woundedness.

Duvall had a long, rich career, starting out with notable roles in To Kill a Mockingbird, M*A*S*H, The Conversation and Network, but it was destiny to be chiefly known for two sensational and very different roles given to him by Francis Ford Coppola at either end of the 1970s. One was Tom Hagen, the quiet, self-effacing consigliere to the Corleone crime family in The Godfather (1972), with a complex relationship both with the Don himself, played by Marlon Brando, and his youngest son and heir, the coldly imperious Michael, played by Al Pacino. And the second was his extraordinary turn as the surf-crazed Wagner enthusiast Lieutenant Colonel Kilgore in Apocalypse Now (1979), who with his “Air Mobile” division of helicopters leads a gigantic attack on a Vietnamese village in broad daylight, with speakers blaring The Ride of the Valkyries – in theory to airlift Captain Willard, played by Martin Sheen, and his boatful of men into the river’s strategic entry point. But all too clearly, it’s because he just wants an excuse for a whooping and hollering cavalry attack.

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