Karan Deol calls Sunny Deol “my first hero” on Father's Day 2026 note; shares glimpses from Batwara 1947 ahead of release

After creating a strong impact with its gripping motion poster, Batwara 1947 has now unveiled a compelling series of character posters that reflect courage, innocence, resilience, and unwavering determination. Presented by Aamir Khan Productions, the film promises a deeply emotional story of sacrifice, hope, and the indomitable human spirit. As excitement for the film continues to build, Karan Deol, son of Sunny Deol, who will be sharing screen space with his father for the first time in Batwara 1947, penned a heartfelt note on Father's Day. Taking to social media, Karan Deol shared some adorable stills from the film and expressed his love and admiration for his father, Sunny Deol. While the duo is set to share screen space in Batwara 1947, Karan conveyed his immense affection and respect for his father through an emotional message. He also shared the caption: "There are moments that feel destined. Telling Papa once on his set about my dream of acting with him was one of them...

Good Luck, Have Fun, Don’t Die review – AI is the bad guy in lively yet overstuffed caper

There’s fun to be had in Pirates of the Caribbean director Gore Verbinski’s satisfyingly tech-fearing adventure – but some restraint wouldn’t have gone amiss

Despite directing a phenomenally successful franchise starter (Pirates of the Caribbean), two of its sequels (Dead Man’s Chest and At World’s End), a smash-hit horror remake (The Ring), an Oscar-winning animation (Rango), and films starring Brad Pitt and Julia Roberts (The Mexican) and Nicolas Cage and Michael Caine (The Weather Man), Gore Verbinski never quite broke through as a name the average cinemagoer would instantly recognise. There are some through-lines in his work – a dark sense of humour, an ease with pushing megastars past their limits – but he was mostly there in service of something or someone else, whether it be IP or an A-lister.

After both consumed him in 2013’s loathed flop The Lone Ranger, Verbinski went away and returned three years later with an extravagant “one for me”, the ambitious throwback horror A Cure for Wellness. I ultimately admired what he was trying to do (a gothic, exquisitely crafted original chiller with a real budget) more than what he actually achieved, and with another box-office disappointment under his belt, he disappeared again. A longer wait of almost a decade followed, and now he’s back with an even bigger swing, the sci-fi comedy adventure Good Luck, Have Fun, Don’t Die.

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