The brief life and sudden death of Zyzz: why did the bodybuilding influencer die at just 22?

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Long before looksmaxxers, Aziz ‘Zyzz’ Shavershian was famous online for posting workouts and rage-bait – until he died in Thailand in 2011. A new documentary reveals what really happened Decades before the extreme aesthetic trend of looksmaxxing, there was Zyzz. Aziz Shavershian was an Australian teenager who became a fitness influencer in the 2000s, filming his workouts and thoughts about the world on his Nokia and posting them to YouTube. Zyzz was big in all senses of the word: many of his videos would see him flexing into unabashedly vain bodybuilding poses, hair feathered like an anime character, as he mocked his audience’s envy with slang straight out of bodybuilding forums: “U mirin’, brah?” He was skilled in rage-bait long before anyone had heard of it, creating accounts to troll himself in case the haters ever forgot to hate. He started an anonymous Facebook page, titled “10,000 likes and I’ll bash Zyzz”, and, when the goal was reached, switched the page to one advertising his ...
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The Invite review – A-list ensemble electrify hilarious couples night gone wrong comedy

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Sundance film festival: Olivia Wilde, Seth Rogen, Penelope Cruz and Edward Norton are exceptional in a smart and funny winner about sex, marriage and partner-swapping

Not enough people managed to see last year’s self-billed “unromantic comedy” Splitsville, a shame for how tremendously entertaining it was and for what it represents at this given moment. A rigorously well-directed, genuinely funny, relatably messy look at two couples dealing with the maelstrom of non-monogamy, it was the kind of smart, well-crafted film for adults we are constantly complaining we don’t get enough of.

I had a similar thrill watching The Invite at its sold-out Sundance premiere on Saturday night. Like that film, it is also about two adult couples negotiating anxieties surrounding sex with other people – and also like that film, it’s really, consistently funny and stylishly directed, made with the kind of care and rigidity that comedies just aren’t afforded now. It doesn’t have the same absurdist slapstick streak – it’s much more of this world – but it made me feel equally energised, a reminder that maybe that mid-sized movie gap is finally being filled. I just hope more people see this one.

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