20th anniversary EXCLUSIVE: Madhur Bhandarkar says corporate booking, in a healthy manner, began with Corporate: "Half-day was declared in some offices; employees were encouraged to watch the film"; reveals, "Many people STOPPED consuming soft drinks after watching it!"

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Corporate (2006) completed 20 years on July 7 and it’s a film that Madhur Bhandarkar considers his favourite. Starring Bipasha Basu, Kay Kay Menon, Raj Babbar and Rajat Kapoor, the film was loved for its subject, shocking climax, performances, music, etc. Despite dealing with the complex worlds of corporate business and the stock market, the narrative was easy to understand, an aspect that was widely praised by audiences and critics alike. On Corporate’s 20th anniversary, Madhur Bhandarkar went down memory lane and shared fascinating trivia. You had made Page 3 (2005) and it was a sleeper-hit. What made you make a film on the corporate world at that stage? Corporate was a film which was ahead of its time. It was a very different world for me. I didn’t have a story. The title fascinated me and I decided to make Corporate, obviously based on the corporate world. I collaborated with writer Manoj Tyagi, who had written Satta (2003) and Page 3 with me. He was an MBA guy and had a lot of kn...
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The History of Concrete review – John Wilson’s first movie is an absurd triumph

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Sundance film festival: the documentarian’s feature debut, essentially an extended episode of his HBO series, turns an exploration of concrete into a meditation on change

For those in the know, the release of the Sundance film festival lineup last December contained one perfect, tantalizing log line, for a documentary plainly called The History of Concrete: “After attending a workshop on how to write and sell a Hallmark movie, filmmaker John Wilson tries to use the same formula to sell a documentary about concrete.”

Wilson, a film-maker from the Nathan Fielder school of meandering, bone-dry observational comedy, is a master of the modern documentary-essay-memoir, with an uncanny eye for the idiosyncratic, unintentionally hilarious and disturbing vignettes hiding in plain sight. Over three near-perfect seasons, his peerless HBO series How To With John Wilson, executive-produced by Fielder, spun spoofs of practical guides (“How to Cook the Perfect Risotto”) into profound meditations on the loudness, loneliness and ridiculousness of modern urban life, each half-hour episode a magic trick of elaborate, bizarre tangents reined in at the last second. For fans of the show – in my opinion, the single best TV series about New York this decade – Wilson’s feature documentary debut, supposedly about the most iconic element of urban life, was a must-see.

The History of Concrete is screening at the Sundance film festival and is seeking distribution

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