20th anniversary EXCLUSIVE: Madhur Bhandarkar says corporate booking, in a healthy manner, began with Corporate: "Half-day was declared in some offices; employees were encouraged to watch the film"; reveals, "Many people STOPPED consuming soft drinks after watching it!"

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Corporate (2006) completed 20 years on July 7 and it’s a film that Madhur Bhandarkar considers his favourite. Starring Bipasha Basu, Kay Kay Menon, Raj Babbar and Rajat Kapoor, the film was loved for its subject, shocking climax, performances, music, etc. Despite dealing with the complex worlds of corporate business and the stock market, the narrative was easy to understand, an aspect that was widely praised by audiences and critics alike. On Corporate’s 20th anniversary, Madhur Bhandarkar went down memory lane and shared fascinating trivia. You had made Page 3 (2005) and it was a sleeper-hit. What made you make a film on the corporate world at that stage? Corporate was a film which was ahead of its time. It was a very different world for me. I didn’t have a story. The title fascinated me and I decided to make Corporate, obviously based on the corporate world. I collaborated with writer Manoj Tyagi, who had written Satta (2003) and Page 3 with me. He was an MBA guy and had a lot of kn...
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State of Statelessness review – Dalai Lama presides over intimate dramas about Tibetans’ life of exile

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Tibetan directors, who all live outside Tibet, deliver a quartet of films that explore the pain of separation and migration

The wrench of exile is the theme of this quartet of short films from Tibetan directors, who themselves all live outside Tibet. Their intimate, emotional family dramas tell stories of separation and migration. In two of them, the 90-year-old Dalai Lama smiles out from photographs on shrines, a reminder of the precariousness of Tibet’s future. As a character in one of the films puts it bluntly: will there be anything to stop China erasing Tibetan identity when its rock-star spiritual leader is no longer around?

In the first film a Tibetan man lives in a kind of complicated happiness in Vietnam. He loves his wife, and they both adore their sunny-natured little daughter, but he has mournful eyes. Home is a town on the banks of the Mekong River, which has its source in Tibet. The river is a constant reminder of the region – and of Chinese might too, since Chinese hydropower dams are the cause of drought downstream in Vietnam.

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