20th anniversary EXCLUSIVE: Madhur Bhandarkar says corporate booking, in a healthy manner, began with Corporate: "Half-day was declared in some offices; employees were encouraged to watch the film"; reveals, "Many people STOPPED consuming soft drinks after watching it!"

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Corporate (2006) completed 20 years on July 7 and it’s a film that Madhur Bhandarkar considers his favourite. Starring Bipasha Basu, Kay Kay Menon, Raj Babbar and Rajat Kapoor, the film was loved for its subject, shocking climax, performances, music, etc. Despite dealing with the complex worlds of corporate business and the stock market, the narrative was easy to understand, an aspect that was widely praised by audiences and critics alike. On Corporate’s 20th anniversary, Madhur Bhandarkar went down memory lane and shared fascinating trivia. You had made Page 3 (2005) and it was a sleeper-hit. What made you make a film on the corporate world at that stage? Corporate was a film which was ahead of its time. It was a very different world for me. I didn’t have a story. The title fascinated me and I decided to make Corporate, obviously based on the corporate world. I collaborated with writer Manoj Tyagi, who had written Satta (2003) and Page 3 with me. He was an MBA guy and had a lot of kn...
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Extra Geography review – a sweet and spiky coming-of-age debut

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Sundance film festival: two teenage girls find their friendship put to the test in a witty and charmingly odd British comedy

If you know, you know that first best friendship is a world unto itself – lush, rugged and expansive, nutritive and intoxicating, vulnerable to freak changes in the weather. Its specific terrain stays invisible to outsiders; only the two within it know, and they themselves are likely to lose it in time. So goes the perilous trekking in Extra Geography, Molly Manners’ nimble and frequently funny debut film, which astutely maps the peaks and valleys of one charged friendship between two adolescent girls at an English boarding school.

Minna and Flic, played by remarkable newcomers Galaxie Clear (coming for Chase Infiniti’s name game) and Marni Duggan, begin year 10 sometime in the early 2000s, in a sunny meadow of boundless, heady entanglement. They move in playful unison, share beds and mannerisms, hold common goals (Oxbridge) and disdain (for boys, and those who covet them). Manners, a Bafta nominee for her work on the better-than-it-should-be Netflix series One Day, is particularly attuned to the energizing rhythm of platonic-ish intimacy; the first third of this brisk, 94-minute film is a mesmerizing symphony of female mind-meld, the girls slamming lockers, opening notebooks, flopping on the floor and hatching plans to a swift, synchronous beat.

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