20th anniversary EXCLUSIVE: Madhur Bhandarkar says corporate booking, in a healthy manner, began with Corporate: "Half-day was declared in some offices; employees were encouraged to watch the film"; reveals, "Many people STOPPED consuming soft drinks after watching it!"

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Corporate (2006) completed 20 years on July 7 and it’s a film that Madhur Bhandarkar considers his favourite. Starring Bipasha Basu, Kay Kay Menon, Raj Babbar and Rajat Kapoor, the film was loved for its subject, shocking climax, performances, music, etc. Despite dealing with the complex worlds of corporate business and the stock market, the narrative was easy to understand, an aspect that was widely praised by audiences and critics alike. On Corporate’s 20th anniversary, Madhur Bhandarkar went down memory lane and shared fascinating trivia. You had made Page 3 (2005) and it was a sleeper-hit. What made you make a film on the corporate world at that stage? Corporate was a film which was ahead of its time. It was a very different world for me. I didn’t have a story. The title fascinated me and I decided to make Corporate, obviously based on the corporate world. I collaborated with writer Manoj Tyagi, who had written Satta (2003) and Page 3 with me. He was an MBA guy and had a lot of kn...
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A Gangster’s Life review – funny in parts, but not always deliberately

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Despite some interesting visuals, not even Tony Cook and Jonny Weldon can lift this poorly produced tale of a pair of dodgy lads hiding in Greece from a gangster

Here is an odd film about a couple of dodgy lads who get on the wrong side of a bona fide gangster and have to hide out in Greece. It’s not thoughtless per se; rather, it lacks the resources to bring its vision successfully to screen. Its quirks are sometimes appealing and sometimes amateurish and, while a mixture of influences swirl about, from Bond to Kingsman to Guy Ritchie and even Mission: Impossible, the film-makers don’t have the necessary budget, meaning that it feels at times like a TikTok parody of more expensive films.

It is a shame, because there are some interesting visual ideas that go beyond route one filming. Example: a goon beating a man tied to a chair on a crispy manicured lawn is filmed in a lovely wide shot, with a guy in the far distance calmly clipping the hedge. But it’s the post-production that is the biggest letdown: the sound mix is poor, and it’s a real shame that the final image before the credits roll, which should be genuinely nasty, is derailed by risible FX.

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