Why F1 the Movie should win the best picture Oscar

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It may not be in pole position, but Brad Pitt and director Joseph Kosinski’s sleek, technically inventive ode to motor racing definitely qualifies for the Academy podium Could, should, would F1 the Movie win the best picture Oscar? Well, we have to be realistic here: F1 is currently a massive outsider, at 200-1 along with The Secret Agent , which has no chance either but for very different reasons. It’s not hard to see why: this is a swaggeringly mainstream film, where tech and branding dwarf the human input, with the film itself acting as a front-end battering ram for a sports organisation desperate to break into the promised land of the US auto racing circuit. (I mean it’s right there in the title.) So even the most reactionary, conservative Academy voter is going to find it hard to mark F1 with their tick. So no, I don’t think it could win. That’s not to say F1 doesn’t have quite a bit going for it. The Oscars, as we know, have historically had a problem with so-called “popular” ...
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Tatsuya Nakadai obituary

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One of the greatest actors of Japanese cinema best known for Ran, the 1985 film adaptation of King Lear

Though he had the well-appointed bone structure of the 1950s matinee idol, it was Tatsuya Nakadai’s eyes that seized film audiences. Using these huge brown saucers to telegraph naivety or eerie self-possession, the Japanese actor, who has died aged 92, seemed at times to be able to make them protrude from his skull.

In the centrepiece scene of Akira Kurosawa’s 1985 King Lear adaptation Ran, when Nakadai’s warlord is ejected from his burning castle, his glare of incipient madness is unbearable.

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