I’m a psychiatrist who was terrified of horror films – until I learned about ‘cinematic neurosis’

Why do scary movies thrill some viewers and send others running for the hills? Our writer gets to the bottom of his fear of the genre – with the assistance of Freud, clinical researchers and his six-year-old self I am six years old, and I am watching a man turn into a werewolf. The film is Abbott and Costello Meet Frankenstein, a 1948 comedy. I am staring up at our black-and-white TV fixated on the werewolf transformation unfolding in slow motion and I begin to scream so inconsolably that my parents must carry me upstairs to calm me down. That night was the beginning of my lifelong fear of horror films and of the supernatural, of darkness and of being alone in a house. Continue reading... from Film | The Guardian https://ift.tt/nwdHRqF via IFTTT

‘So weird, but cute’: Bridget Jones immortalised as London welcomes statue of Britain’s favourite singleton

Helen Fielding and Renée Zellweger gather in Leicester Square as a new bronze marks 30 years of the diary-writing everywoman who redefined the romcom heroine

Bridget Jones, Britain’s best-loved and most hapless romcom heroine, stands in a creased miniskirt and gaping cardie in the centre of London, clutching her diary and a pen. Alcohol units: 0, cigarettes: 0, calories: 0, weight: 31 stone – and, according to the actor Sally Phillips, “no intention of losing any of it”.

Phillips was in Leicester Square on Monday morning to unveil a life-size bronze of the comedy character, alongside Helen Fielding – who first cooked her up in a newspaper column 30 years ago, and whose novels have now been translated into more than 40 languages – and Renée Zellweger, star of the four Bridget Jones films (with a combined box office of $900m (£683m)).

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