The Blood Countess review – Isabelle Huppert reigns supreme in a surreal vampire fantasia

Vienna turns into a playground of camp, cruelty and aristocratic disdain in a blackly comic take on the Báthory legend – with Huppert gloriously suited to the title role From the dark heart of central Europe comes a midnight-movie romp through the moonlit urban glades of Euro-goth and camp from German director Ulrike Ottinger. As for the star … well, it’s the part she was born to play. Isabelle Huppert is Countess Elizabeth Báthory, 16th-century Hungarian noblewoman and serial killer, legendary for having the blood of hundreds of young girls on her hands and indeed her body, in an attempt to attain eternal youth. The “blood countess” has been variously played in the past by Ingrid Pitt, Delphine Seyrig, Paloma Picasso, Julie Delpy and many more, but surely none were as qualified as Huppert who importantly does not modify her habitual hauteur one iota for the role. Her natural aristocratic mien and cool hint of elegant contempt were never so well matched with a part. She gives us the ...

‘So weird, but cute’: Bridget Jones immortalised as London welcomes statue of Britain’s favourite singleton

Helen Fielding and Renée Zellweger gather in Leicester Square as a new bronze marks 30 years of the diary-writing everywoman who redefined the romcom heroine

Bridget Jones, Britain’s best-loved and most hapless romcom heroine, stands in a creased miniskirt and gaping cardie in the centre of London, clutching her diary and a pen. Alcohol units: 0, cigarettes: 0, calories: 0, weight: 31 stone – and, according to the actor Sally Phillips, “no intention of losing any of it”.

Phillips was in Leicester Square on Monday morning to unveil a life-size bronze of the comedy character, alongside Helen Fielding – who first cooked her up in a newspaper column 30 years ago, and whose novels have now been translated into more than 40 languages – and Renée Zellweger, star of the four Bridget Jones films (with a combined box office of $900m (£683m)).

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