Why F1 the Movie should win the best picture Oscar

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It may not be in pole position, but Brad Pitt and director Joseph Kosinski’s sleek, technically inventive ode to motor racing definitely qualifies for the Academy podium Could, should, would F1 the Movie win the best picture Oscar? Well, we have to be realistic here: F1 is currently a massive outsider, at 200-1 along with The Secret Agent , which has no chance either but for very different reasons. It’s not hard to see why: this is a swaggeringly mainstream film, where tech and branding dwarf the human input, with the film itself acting as a front-end battering ram for a sports organisation desperate to break into the promised land of the US auto racing circuit. (I mean it’s right there in the title.) So even the most reactionary, conservative Academy voter is going to find it hard to mark F1 with their tick. So no, I don’t think it could win. That’s not to say F1 doesn’t have quite a bit going for it. The Oscars, as we know, have historically had a problem with so-called “popular” ...
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‘So weird, but cute’: Bridget Jones immortalised as London welcomes statue of Britain’s favourite singleton

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Helen Fielding and Renée Zellweger gather in Leicester Square as a new bronze marks 30 years of the diary-writing everywoman who redefined the romcom heroine

Bridget Jones, Britain’s best-loved and most hapless romcom heroine, stands in a creased miniskirt and gaping cardie in the centre of London, clutching her diary and a pen. Alcohol units: 0, cigarettes: 0, calories: 0, weight: 31 stone – and, according to the actor Sally Phillips, “no intention of losing any of it”.

Phillips was in Leicester Square on Monday morning to unveil a life-size bronze of the comedy character, alongside Helen Fielding – who first cooked her up in a newspaper column 30 years ago, and whose novels have now been translated into more than 40 languages – and Renée Zellweger, star of the four Bridget Jones films (with a combined box office of $900m (£683m)).

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