‘It was the moment I lost innocence’: how a childhood stop-and-search led to the British debut movie of the year

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When Imran Perretta was young, he was abruptly pulled by police into a van for questioning. That experience, as well as the death of his mother, inspired him to make Ish, a coming-of-age tale set amongst the British Muslim community. He talks about trauma, designing toilets and making Luton look magnificent Imran Perretta always knew that the title of his debut feature film would be “Ish” – short for Ishmail, the name of the 12-year-old boy from Luton at the heart of his story. Only later did people point out the similarity to other coming-of-age films with three letters in the title: Kes by Ken Loach, and Satyajit Ray’s Apu trilogy. Now, as the reviews trickle in, the comparisons to Kes and Apu keep coming. Like them, Ish is a poetic film that grabs you by the heart and pulls you into a child’s perspective on the world. The response has been lovely, says Perretta, and a relief. “It’s nice that people have compared Ish to those films rather than Kidulthood. I did worry about that.” Why...
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One Shot With Ed Sheeran review – well-planned spontaneity from all-smiling singer

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Philip Barantini’s single-take special follows the star mooching around Manhattan, guitar ever ready for ad hoc turns, ahead of his evening show

Ed Sheeran floats through New York on a cloud of his own sunny high spirits in this hour-long Netflix special. He is the Candide of the music business, smiling benignly, strumming and singing, seamlessly pausing for selfies and fist-bumps and high-fives; he almost visibly absorbs energy from the saucer-eyed fan-worship shown by gobsmacked passersby and radiates it back at them.

Maybe you have to be a Sheeran fan to really appreciate it, but this is another single-take bravura special from film-maker Philip Barantini (who directed Netflix’s searing single-take drama Adolescence) and his director of photography Nyk Allen. With no cuts (though there’s an allowable fast-forward bit, and the audio might have been tweaked in post-production) they follow the unselfconscious Ed as he completes a late-afternoon soundcheck at the New York theatre where he’s playing a concert later on, and then for the next hour, and with fans pretty much always swarming around him, he wanders through the city with his guitar for various encounters, some planned, some (supposedly) not.

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