The best Steven Spielberg films, chosen by directors, critics and super-fans: ‘pure popcorn perfection’

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From franchise hits to historical epics, joyous musicals to autobiographical family sagas: Steven Spielberg has done it all. As his latest sci-fi film Disclosure Day is released, film-makers, authors and Guardian critics reveal which of his movies means the most to them Steven Spielberg is often described as the inventor of the “event movie” – or as the creator of our new age of IP supremacy, in which the genre property is more important than any above-the-title film star. But that isn’t quite it. He came of age in the American new wave era but in spirit belonged neither to that nor fully to Hollywood’s golden age studio system that preceded it. In fact, he synthesised both into a directing style that was audacious and fluent. He availed himself of the subversiveness of the new wave, and yet was classically oriented, drawing upon his love of – and alienation from – the all-American suburb, making him the Edward Hopper or the Andrew Wyeth of the movies. Tellingly, it was François Truffa...
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One Shot With Ed Sheeran review – well-planned spontaneity from all-smiling singer

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Philip Barantini’s single-take special follows the star mooching around Manhattan, guitar ever ready for ad hoc turns, ahead of his evening show

Ed Sheeran floats through New York on a cloud of his own sunny high spirits in this hour-long Netflix special. He is the Candide of the music business, smiling benignly, strumming and singing, seamlessly pausing for selfies and fist-bumps and high-fives; he almost visibly absorbs energy from the saucer-eyed fan-worship shown by gobsmacked passersby and radiates it back at them.

Maybe you have to be a Sheeran fan to really appreciate it, but this is another single-take bravura special from film-maker Philip Barantini (who directed Netflix’s searing single-take drama Adolescence) and his director of photography Nyk Allen. With no cuts (though there’s an allowable fast-forward bit, and the audio might have been tweaked in post-production) they follow the unselfconscious Ed as he completes a late-afternoon soundcheck at the New York theatre where he’s playing a concert later on, and then for the next hour, and with fans pretty much always swarming around him, he wanders through the city with his guitar for various encounters, some planned, some (supposedly) not.

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