‘It was the moment I lost innocence’: how a childhood stop-and-search led to the British debut movie of the year

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When Imran Perretta was young, he was abruptly pulled by police into a van for questioning. That experience, as well as the death of his mother, inspired him to make Ish, a coming-of-age tale set amongst the British Muslim community. He talks about trauma, designing toilets and making Luton look magnificent Imran Perretta always knew that the title of his debut feature film would be “Ish” – short for Ishmail, the name of the 12-year-old boy from Luton at the heart of his story. Only later did people point out the similarity to other coming-of-age films with three letters in the title: Kes by Ken Loach, and Satyajit Ray’s Apu trilogy. Now, as the reviews trickle in, the comparisons to Kes and Apu keep coming. Like them, Ish is a poetic film that grabs you by the heart and pulls you into a child’s perspective on the world. The response has been lovely, says Perretta, and a relief. “It’s nice that people have compared Ish to those films rather than Kidulthood. I did worry about that.” Why...
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Marianne Jean-Baptiste: ‘I’d work for Mike Leigh again in a heartbeat – in fact, I’ll pay him!’

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The actor moved to LA 22 years ago. Now she’s back in the UK to star alongside Bryan Cranston in All My Sons. She talks about the frightening rehearsal schedule, how she’d work again with Mike Leigh in a heartbeat, and why she’s taking up boot-making

Marianne Jean-Baptiste arrives at the rehearsal space in  Southwark, south London, and immediately announces that she’s exhausted. It wouldn’t be surprising if nerves were getting the better of her; she’s seven days into a three-week rehearsal period for a new production of Arthur Miller’s All My Sons, which is brutally short by anyone’s standards. Peeling off unnecessary layers of clothes – it’s not a cold morning – she says jet lag has been messing with her circadian rhythms since she flew in from Los Angeles 10 days ago. “I woke up at 3.17am and was like: fucking hell, it’s early. I lay there for a while, running lines from the play in my head. Then I thought: ‘Just get up and marinate the chicken.’ I made some ginger and lemon tea and finally went back to bed at 5.30am – better to rest and meditate even if I couldn’t sleep.” She was just dropping off when the alarm went off at 7am.

These days it takes a lot to lure Jean-Baptiste away from her home in Los Angeles, where she has lived with her husband and two daughters full-time since 2003. She loves coming back to her native London to see family and friends, but LA has a slower pace, optimism, a vast ocean – and, for a long time, it offered better opportunities to work. Her breakthrough role as the optometrist in search of her birth mother in the 1996 Mike Leigh film Secrets & Lies brought a Golden Globe nomination and she became the first Black British woman to be nominated for an Academy Award. She memorably played Doreen Lawrence in the 1999 TV movie The Murder of Stephen Lawrence, but then – nothing much. Most offers of work came from the US.

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