Bone Keeper review – there’s a critter in the caves in serviceable Brit horror

An unconvincing group of friends is briskly picked off one-by-one while searching for a beastie that hitched a ride to Earth on a meteorite You get the measure early on of the tentacled predator in this British horror film when it makes mincemeat out of a hairy tough-guy Neanderthal. The movie opens with some punching-above-its budget special effects explaining the origins of the flesh-eater, which crash landed on Earth with a meteorite. Like Neil Marshall’s The Descent, it’s a creature that makes its home in caves – though unlike the earlier movie, Bone Keeper lacks a sense of sweat-trickling-down-your-back claustrophobia, despite a couple of good scares. Sarah Alexandra Marks plays Olivia, whose journalist grandfather vanished in the 1970s while investigating reports of a creature in a cave somewhere in the UK. Now years later, Olivia’s mother has disappeared while searching for him. So Olivia heads to the caves with a group of mates, who feel as if they’ve been dreamed up in a 20-...

EXCLUSIVE: Sumit Arora talks about writing dialogues for 120 Bahadur: "Farhan Akhtar is very thorough professional, sharp, witty"; reacts to Shah Rukh Khan's National Award win for Jawan: "He should have won long back…the National Award deserved him!"

Sumit Arora has carved a niche for himself thanks to his solid writing in shows like The Family Man, Dahaad, Guns & Gulaabs and Citadel: Honey Bunny and in films like Stree (2018), ’83 (2021), Jawan (2023), Chandu Champion (2024) etc. November 21 was a significant day for him this year for he had 2 releases – the season 3 of The Family Man dropped on Amazon Prime Video while the Farhan Akhtar-starrer war drama 120 Bahadur arrived in cinemas. In an exclusive interview with Bollywood Hungama, Sumit Arora spoke about his dialogues in 120 Bahadur and a lot more.

You had 2 releases in a single day. How was the experience and what did you do on November 21? I was at IFFI, Goa as we had screenings of The Family Man as well as 120 Bahadur. I was checking the reactions of both. The Family Man Season 3 was available digitally while 120 Bahadur had released in theatres. So, it was very interesting and also overwhelming to have two releases on two different mediums on the same day. The Family Man has been widely loved and hence, we knew that people have been waiting for it. We were curious as to how they receive the new season. Thankfully, they are finding a lot of joy in watching it.

120 Bahadur, meanwhile, is also a special film as it told an important chapter from history. The love for it is also pouring it and hence, the experience has been satisfying.

You had mentioned to us before that you don’t believe in doing dialoguebaazi for the sake of it. Did you apply the same idea in 120 Bahadur as well? Of course. I apply it in everything that I do (smiles). The film is based on a true story and even the characters were real. So, I had to stay rooted and have the punchiness in the dialogues wherever required. I had to ensure that the punchy dialogues needed to be mouthed for a reason. For example, when Farhan Akhtar tells his soldiers that he ‘Main peeche nahin hatunga’, the dialogue had to be emotionally charged and should express his feelings for the country. He brings up the fact that they are the sons of farmers. So, he says, ‘Zameen ke liye ladna tumhare khoon mein hai. Aur iss baar, baat zameen ki nahin, hamare sarzameen ki hai’. This line came up organically as he’s talking to soldiers who are sons of the soil who are now fighting for their motherland. So, we were not trying to create a punch for the heck of it.

How was it working with Farhan Akhtar? I had worked on Dahaad before, which was produced by him. But this was the first time I interacted with him. He’s a very thorough professional, sharp and witty. He’s also well-respectful and accepting of ideas from everyone around him. So, it was a great experience. I had seen his directorial debut, Dil Chahta Hai (2001), before coming to Mumbai and loved it. Just to see his creative process from up close was very enriching.

 

View this post on Instagram

  A post shared by Sumit Arora (@sumitaroraa)

You went on the sets of Jawan for 100 days. Did you visit 120 Bahadur’s sets as well? Yes, I did go to Ladakh and I went twice.

Was it challenging to shoot the film in a hostile terrain like Ladakh? Yes. To shoot at such an altitude is always a challenge. The unit members were always falling sick. I, too, fell sick in one of the trips. My condition was similar to Radio Operator Ramchander Yadav (played by Sparsh Walia) in the film as I suffered from altitude sickness. Thankfully, it didn’t last long, and I felt ill for a few hours only. I faced breathing issues because I forgot to take the tablet to acclimatize oneself. Hence, it’s very difficult to shoot there.

Shah Rukh Khan recently won the National Award for Jawan. Did it feel like a personal achievement? More than a personal achievement, it felt like an achievement of a man you have always loved. I felt great that I could be a part of the film that got Shah Rukh sir the National Award. It was an award he should have won long back as he has done such remarkable work over a period of time. So, I feel it was the National Award that deserved him and not the other way round (smiles).

What are your upcoming projects besides Border 2? Are you a part of Dahaad 2? Yes, Dahaad 2 is happening. And I am also working on Kabir Khan’s next film. There are also a couple of more projects which I’ll be able to talk about in the near future.

Also Read: Residential societies join schools in organising theatre visits for 120 Bahadur



from Latest Bollywood News | Hindi Movie News | Hindi Cinema News | Indian Movies | Films - Bollywood Hungama https://ift.tt/R4EGsxY
via IFTTT

Comments

Popular posts from this blog

The Miracle Club review – Maggie Smith can’t save this rocky road trip to Lourdes

‘I lost a friend of almost 40 years’: Nancy Meyers pays tribute to Diane Keaton

Malaika Arora scolds 16-year-old dancer for inappropriate gestures: “He is winking, giving flying kisses”