Why F1 the Movie should win the best picture Oscar

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It may not be in pole position, but Brad Pitt and director Joseph Kosinski’s sleek, technically inventive ode to motor racing definitely qualifies for the Academy podium Could, should, would F1 the Movie win the best picture Oscar? Well, we have to be realistic here: F1 is currently a massive outsider, at 200-1 along with The Secret Agent , which has no chance either but for very different reasons. It’s not hard to see why: this is a swaggeringly mainstream film, where tech and branding dwarf the human input, with the film itself acting as a front-end battering ram for a sports organisation desperate to break into the promised land of the US auto racing circuit. (I mean it’s right there in the title.) So even the most reactionary, conservative Academy voter is going to find it hard to mark F1 with their tick. So no, I don’t think it could win. That’s not to say F1 doesn’t have quite a bit going for it. The Oscars, as we know, have historically had a problem with so-called “popular” ...
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Christmas Karma review – Dickens adaptation has as much Yuletide spirit as a dead rat in the eggnog

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Gurinder Chadha’s leaden update of the hardy seasonal chestnut with Kunal Nayyar is joyless and nausea-inducing

Keen though I always am to indulge any and every new riff on Dickens’s A Christmas Carol, and keen also to hear from Bend It Like Beckham director Gurinder Chadha, this cynically Christmassy movie is leaden, unconvincingly acted and about as welcome as a dead rat in the eggnog. It’s the worst Christmas film since last year’s Red One, in which Dwayne Johnson played the head of security for Santa Claus and more or less had us all rooting for anyone who could beat up Father Christmas.

In this one, Big Bang Theory star Kunal Nayyar lifelessly and joylessly plays a Scrooge variant called Mr Sood, part of the Ugandan south Asian community expelled by Idi Amin in his childhood, and embittered by early poverty. An early romance soured because of his obsession with money, and he has become a grasping and unpleasant old guy in London (cue stock footage of the London skyline) in the rather quaintly imagined business of moneylending, with his now dead partner Jacob Marley, played by Hugh Bonneville. But after petulant displays of boorish meanness with his nephew, employees and the cheerful Cockney Christmas-jumper-wearing cabbie played by Danny Dyer (surely Mr Sood knows that Ubers are cheaper?), he is visited by Marley’s ghost and then the spirits of Christmas past, present and future (played by Eva Longoria, Billy Porter and Boy George).

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