Why F1 the Movie should win the best picture Oscar

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It may not be in pole position, but Brad Pitt and director Joseph Kosinski’s sleek, technically inventive ode to motor racing definitely qualifies for the Academy podium Could, should, would F1 the Movie win the best picture Oscar? Well, we have to be realistic here: F1 is currently a massive outsider, at 200-1 along with The Secret Agent , which has no chance either but for very different reasons. It’s not hard to see why: this is a swaggeringly mainstream film, where tech and branding dwarf the human input, with the film itself acting as a front-end battering ram for a sports organisation desperate to break into the promised land of the US auto racing circuit. (I mean it’s right there in the title.) So even the most reactionary, conservative Academy voter is going to find it hard to mark F1 with their tick. So no, I don’t think it could win. That’s not to say F1 doesn’t have quite a bit going for it. The Oscars, as we know, have historically had a problem with so-called “popular” ...
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A grand day out: Wallace and Gromit star in London exhibition

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Aardman studios to put props, sets and storyboards on show for its 50th anniversary event at the Young V&A

Aardman studios is known around the world for its seamlessly animated stop-motion train chases, hacked “smart gnomes”, tea-consuming heroes and villainous penguins.

Now fans will get a behind-the-scenes look at the studio’s best-known projects and see how they went from rough ideas sketched out on a kitchen table to Oscar-winning films in a major exhibition at the Young V&A in east London.

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