From franchise hits to historical epics, joyous musicals to autobiographical family sagas: Steven Spielberg has done it all. As his latest sci-fi film Disclosure Day is released, film-makers, authors and Guardian critics reveal which of his movies means the most to them Steven Spielberg is often described as the inventor of the “event movie” – or as the creator of our new age of IP supremacy, in which the genre property is more important than any above-the-title film star. But that isn’t quite it. He came of age in the American new wave era but in spirit belonged neither to that nor fully to Hollywood’s golden age studio system that preceded it. In fact, he synthesised both into a directing style that was audacious and fluent. He availed himself of the subversiveness of the new wave, and yet was classically oriented, drawing upon his love of – and alienation from – the all-American suburb, making him the Edward Hopper or the Andrew Wyeth of the movies. Tellingly, it was François Truffa...
A grand day out: Wallace and Gromit star in London exhibition
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Aardman studios to put props, sets and storyboards on show for its 50th anniversary event at the Young V&A
Aardman studios is known around the world for its seamlessly animated stop-motion train chases, hacked “smart gnomes”, tea-consuming heroes and villainous penguins.
Now fans will get a behind-the-scenes look at the studio’s best-known projects and see how they went from rough ideas sketched out on a kitchen table to Oscar-winning films in a major exhibition at the Young V&A in east London.
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