Ek Din teaser out: Junaid Khan and Sai Pallavi promise quiet romance and real-life magic in this gentle love story, watch

If it's about love, everything turns magical. Bringing an absolutely magical, gentle, and classic love story, the teaser of Aamir Khan Productions’ Ek Din has finally been revealed, featuring the cute, lovable, and fresh pairing of Sai Pallavi and Junaid Khan. While the poster had already kept us hooked and eager to witness more glimpses of this beautiful tale of love, the teaser is indeed an absolute treat. Beautifully coloured with the snowy canvas of winter, the teaser of Ek Din opens with a heartwarming dialogue and captivates the fervour of love with its soothing and melodious tune. Showcasing the enchanting chemistry of the fresh on-screen pair, Sai and Junaid, the teaser fills the soul with love and affection. It promises a love story that is rarely made in Bollywood today and beautifully brings back the charm of romance that has been missing from the big screen. South cinema queen, Sai Pallavi, who is making her much-anticipated Hindi film debut, brings her trademark grac...

Writing Hawa review – Afghan woman fights for freedom as the Taliban close in

Najiba Noori’s thought-provoking documentary follows her mother, finally getting her chance at autonomy just as the Taliban retake the country

Shot in Afghanistan shortly before the 2021 Taliban takeover, Najiba Noori’s thought-provoking debut juxtaposes the private transformation of a woman with the public unravelling of the nation. At age 13, Noori’s mother, Hawa, was married off to a man 30 years her senior. Now with grownup children, she can finally embark on her own mission: to learn how to read and write, and to open her own textile business. Even though supported by her family, Hawa’s hopes and dreams are suffused with melancholy; soon, even more draconian laws will be imposed on Afghan women.

During the calm before the storm, Noori’s roving camera serves as a facilitator for intergenerational dialogue. With stunning candour, Hawa speaks of her unhappy married life, and her past desire to elope with another man. In a painful twist of fate, the cycle continues with Zahra, Hawa’s granddaughter and Noori’s niece. Looking for refuge at the Noori household after running away from her father’s village, her aspiration is to return to her studies. A particularly tender sequence shows Zahra and Hawa sharing the same whiteboard as they practise their spelling. Their happiness is sadly short-lived; with the Taliban closing in, Zahra is sent back to her father’s family for protection. In the end, she is forced into marriage, not unlike Hawa in her youth.

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