Samantha Ruth Prabhu in talks to join Salman Khan in Raj & DK’s upcoming superhero comedy: Report

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A new development has emerged around the upcoming film being developed by filmmaker duo Raj Nidimoru and Krishna DK. Just days after reports surfaced that Salman Khan had been roped in to headline the project, fresh updates suggest that actor Samantha Ruth Prabhu is also in discussions to join the film. The director duo, popularly known as Raj & DK, are widely recognised for creating successful streaming series such as The Family Man and Guns & Gulaabs, while also backing films as producers. With their next venture, the filmmakers are reportedly aiming for a larger cinematic scale, bringing together a unique blend of genres. According to a report in Mid-Day, Samantha is currently being considered for a key role in the project. A source told the publication, “Samantha is very much in the conversation. She shares a strong creative equation with the makers, and they feel she fits the part." Bollywood Hungama had earlier reported that Salman Khan’s role in the film will offe...
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Writing Hawa review – Afghan woman fights for freedom as the Taliban close in

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Najiba Noori’s thought-provoking documentary follows her mother, finally getting her chance at autonomy just as the Taliban retake the country

Shot in Afghanistan shortly before the 2021 Taliban takeover, Najiba Noori’s thought-provoking debut juxtaposes the private transformation of a woman with the public unravelling of the nation. At age 13, Noori’s mother, Hawa, was married off to a man 30 years her senior. Now with grownup children, she can finally embark on her own mission: to learn how to read and write, and to open her own textile business. Even though supported by her family, Hawa’s hopes and dreams are suffused with melancholy; soon, even more draconian laws will be imposed on Afghan women.

During the calm before the storm, Noori’s roving camera serves as a facilitator for intergenerational dialogue. With stunning candour, Hawa speaks of her unhappy married life, and her past desire to elope with another man. In a painful twist of fate, the cycle continues with Zahra, Hawa’s granddaughter and Noori’s niece. Looking for refuge at the Noori household after running away from her father’s village, her aspiration is to return to her studies. A particularly tender sequence shows Zahra and Hawa sharing the same whiteboard as they practise their spelling. Their happiness is sadly short-lived; with the Taliban closing in, Zahra is sent back to her father’s family for protection. In the end, she is forced into marriage, not unlike Hawa in her youth.

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