Singer Arpit Bala spits at bottle-throwing fan during Hyderabad concert, watch video

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With audiences at live concerts in Delhi for musicians like Badshah and Yo Yo Honey Singh turning increasingly unruly, the musical malaise has now moved South to Hyderabad. At a concert in Hyderabad at Kingdome Klub & Kitchen on Saturday March 28, singer-performer Arpit Bala, who gained some popularity with his song ‘Bargad’ in 2025, was targeted during his performance with an empty bottle by an unruly member of the audience. Bala hit right back. He angrily asked who threw the bottle After identifying the culprit, Bala spat at the fan as the crowd cheered loudly. Arpit Bala spitting on crowd by u/Potential_Let226 in IndianHipHopHeads Warning the audience not to repeat such acts, he added, “Mujhe farak nahi padega ki tumne kitne paise diye hain... (I don’t care how much you spent),” and continued his performance. The incident highlights the growing uneasy equation between performers and the audience at live concerts in India. They are no longer safe or even e...
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Writing Hawa review – Afghan woman fights for freedom as the Taliban close in

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Najiba Noori’s thought-provoking documentary follows her mother, finally getting her chance at autonomy just as the Taliban retake the country

Shot in Afghanistan shortly before the 2021 Taliban takeover, Najiba Noori’s thought-provoking debut juxtaposes the private transformation of a woman with the public unravelling of the nation. At age 13, Noori’s mother, Hawa, was married off to a man 30 years her senior. Now with grownup children, she can finally embark on her own mission: to learn how to read and write, and to open her own textile business. Even though supported by her family, Hawa’s hopes and dreams are suffused with melancholy; soon, even more draconian laws will be imposed on Afghan women.

During the calm before the storm, Noori’s roving camera serves as a facilitator for intergenerational dialogue. With stunning candour, Hawa speaks of her unhappy married life, and her past desire to elope with another man. In a painful twist of fate, the cycle continues with Zahra, Hawa’s granddaughter and Noori’s niece. Looking for refuge at the Noori household after running away from her father’s village, her aspiration is to return to her studies. A particularly tender sequence shows Zahra and Hawa sharing the same whiteboard as they practise their spelling. Their happiness is sadly short-lived; with the Taliban closing in, Zahra is sent back to her father’s family for protection. In the end, she is forced into marriage, not unlike Hawa in her youth.

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