The Blood Countess review – Isabelle Huppert reigns supreme in a surreal vampire fantasia

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Vienna turns into a playground of camp, cruelty and aristocratic disdain in a blackly comic take on the Báthory legend – with Huppert gloriously suited to the title role From the dark heart of central Europe comes a midnight-movie romp through the moonlit urban glades of Euro-goth and camp from German director Ulrike Ottinger. As for the star … well, it’s the part she was born to play. Isabelle Huppert is Countess Elizabeth Báthory, 16th-century Hungarian noblewoman and serial killer, legendary for having the blood of hundreds of young girls on her hands and indeed her body, in an attempt to attain eternal youth. The “blood countess” has been variously played in the past by Ingrid Pitt, Delphine Seyrig, Paloma Picasso, Julie Delpy and many more, but surely none were as qualified as Huppert who importantly does not modify her habitual hauteur one iota for the role. Her natural aristocratic mien and cool hint of elegant contempt were never so well matched with a part. She gives us the ...
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‘Theatre is an elitist artform for privileged people’: Daniel Day-Lewis talks class, cinema and his crush on Mary Poppins

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Speaking at the London film festival, the triple Oscar-winner mounted a fierce defence of movies and method acting, although he conceded My Left Foot couldn’t be made today

The actor Daniel Day-Lewis railed against audiences being priced out of theatres, and what he perceived as a continued snobbery concerning cinema in the UK at an event at the London film festival.

Speaking to the critic Mark Kermode for a lengthy conversation in front of an audience at the BFI Southbank, Day-Lewis said he felt “there’s still an elitism in this country that theatre is the superior form”. His drama training at the Bristol Old Vic school had encouraged in him the sense that theatre work was the goal. “Then there’s films: bit dodgy. Television: like, really? OK, you gotta pay the gas bill. That was the thinking.

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