The best Steven Spielberg films, chosen by directors, critics and super-fans: ‘pure popcorn perfection’

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From franchise hits to historical epics, joyous musicals to autobiographical family sagas: Steven Spielberg has done it all. As his latest sci-fi film Disclosure Day is released, film-makers, authors and Guardian critics reveal which of his movies means the most to them Steven Spielberg is often described as the inventor of the “event movie” – or as the creator of our new age of IP supremacy, in which the genre property is more important than any above-the-title film star. But that isn’t quite it. He came of age in the American new wave era but in spirit belonged neither to that nor fully to Hollywood’s golden age studio system that preceded it. In fact, he synthesised both into a directing style that was audacious and fluent. He availed himself of the subversiveness of the new wave, and yet was classically oriented, drawing upon his love of – and alienation from – the all-American suburb, making him the Edward Hopper or the Andrew Wyeth of the movies. Tellingly, it was François Truffa...
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‘Theatre is an elitist artform for privileged people’: Daniel Day-Lewis talks class, cinema and his crush on Mary Poppins

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Speaking at the London film festival, the triple Oscar-winner mounted a fierce defence of movies and method acting, although he conceded My Left Foot couldn’t be made today

The actor Daniel Day-Lewis railed against audiences being priced out of theatres, and what he perceived as a continued snobbery concerning cinema in the UK at an event at the London film festival.

Speaking to the critic Mark Kermode for a lengthy conversation in front of an audience at the BFI Southbank, Day-Lewis said he felt “there’s still an elitism in this country that theatre is the superior form”. His drama training at the Bristol Old Vic school had encouraged in him the sense that theatre work was the goal. “Then there’s films: bit dodgy. Television: like, really? OK, you gotta pay the gas bill. That was the thinking.

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