Marty Supreme review – Timothée Chalamet a smash in spectacular screwball ping-pong nightmare

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Following every dizzying spin of Chalamet’s table tennis hustler, Josh Safdie’s whip-crack comedy serves sensational shots – and a smart return by Gwyneth Paltrow This new film from Josh Safdie has the fanatical energy of a 149-minute ping pong rally carried out by a single player running round and round the table. It’s a marathon sprint of gonzo calamities and uproar, a sociopath-screwball nightmare like something by Mel Brooks – only in place of gags, there are detonations of bad taste, cinephile allusions, alpha cameos, frantic deal-making, racism and antisemitism, sentimental yearning and erotic adventures. It’s a farcical race against time where no one needs to eat or sleep. Timothée Chalamet plays Marty Mauser, a spindly motormouth with the glasses of an intellectual, the moustache of a movie star and the physique of a tiny cartoon character (though that could just be the initials). He’s loosely inspired by Marty “The Needle” Reisman, a real-life US table tennis champ from the ...
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‘Theatre is an elitist artform for privileged people’: Daniel Day-Lewis talks class, cinema and his crush on Mary Poppins

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Speaking at the London film festival, the triple Oscar-winner mounted a fierce defence of movies and method acting, although he conceded My Left Foot couldn’t be made today

The actor Daniel Day-Lewis railed against audiences being priced out of theatres, and what he perceived as a continued snobbery concerning cinema in the UK at an event at the London film festival.

Speaking to the critic Mark Kermode for a lengthy conversation in front of an audience at the BFI Southbank, Day-Lewis said he felt “there’s still an elitism in this country that theatre is the superior form”. His drama training at the Bristol Old Vic school had encouraged in him the sense that theatre work was the goal. “Then there’s films: bit dodgy. Television: like, really? OK, you gotta pay the gas bill. That was the thinking.

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