I’m a psychiatrist who was terrified of horror films – until I learned about ‘cinematic neurosis’

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Why do scary movies thrill some viewers and send others running for the hills? Our writer gets to the bottom of his fear of the genre – with the assistance of Freud, clinical researchers and his six-year-old self I am six years old, and I am watching a man turn into a werewolf. The film is Abbott and Costello Meet Frankenstein, a 1948 comedy. I am staring up at our black-and-white TV fixated on the werewolf transformation unfolding in slow motion and I begin to scream so inconsolably that my parents must carry me upstairs to calm me down. That night was the beginning of my lifelong fear of horror films and of the supernatural, of darkness and of being alone in a house. Continue reading... from Film | The Guardian https://ift.tt/nwdHRqF via IFTTT
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‘Theatre is an elitist artform for privileged people’: Daniel Day-Lewis talks class, cinema and his crush on Mary Poppins

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Speaking at the London film festival, the triple Oscar-winner mounted a fierce defence of movies and method acting, although he conceded My Left Foot couldn’t be made today

The actor Daniel Day-Lewis railed against audiences being priced out of theatres, and what he perceived as a continued snobbery concerning cinema in the UK at an event at the London film festival.

Speaking to the critic Mark Kermode for a lengthy conversation in front of an audience at the BFI Southbank, Day-Lewis said he felt “there’s still an elitism in this country that theatre is the superior form”. His drama training at the Bristol Old Vic school had encouraged in him the sense that theatre work was the goal. “Then there’s films: bit dodgy. Television: like, really? OK, you gotta pay the gas bill. That was the thinking.

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