The Blood Countess review – Isabelle Huppert reigns supreme in a surreal vampire fantasia

Vienna turns into a playground of camp, cruelty and aristocratic disdain in a blackly comic take on the Báthory legend – with Huppert gloriously suited to the title role From the dark heart of central Europe comes a midnight-movie romp through the moonlit urban glades of Euro-goth and camp from German director Ulrike Ottinger. As for the star … well, it’s the part she was born to play. Isabelle Huppert is Countess Elizabeth Báthory, 16th-century Hungarian noblewoman and serial killer, legendary for having the blood of hundreds of young girls on her hands and indeed her body, in an attempt to attain eternal youth. The “blood countess” has been variously played in the past by Ingrid Pitt, Delphine Seyrig, Paloma Picasso, Julie Delpy and many more, but surely none were as qualified as Huppert who importantly does not modify her habitual hauteur one iota for the role. Her natural aristocratic mien and cool hint of elegant contempt were never so well matched with a part. She gives us the ...

Red Chillies hits back at Sameer Wankhede’s plea against The Ba***ds of Bollywood; says his image was already subjected to scrutiny

Red Chillies Entertainment has filed its official reply to Sameer Wankhede’s defamation suit against The Ba***ds of Bollywood, the Netflix show he claims was designed to tarnish his reputation. Wankhede, the former NCB officer who led the 2021 drugs case involving Shah Rukh Khan’s son Aryan Khan, had approached the court alleging that the makers had portrayed a character resembling him in both appearance and mannerisms.

In its response, Red Chillies Entertainment maintained that the series is a Bollywood satire, and all characters in it are depicted with deliberately exaggerated traits to heighten the humour. The production house argued that the complaint was an attempt to curtail artistic and creative freedom and described Wankhede’s stance as an instance of “hypersensitivity.”

The reply further pointed out that Wankhede’s image had already been subject to widespread public scrutiny long before the show’s release. According to the filing, the former officer’s involvement in the Aryan Khan case had drawn considerable criticism and ridicule, as reflected in news coverage, social media discussions, and public commentary at the time. Red Chillies stated that these materials clearly demonstrated that his reputation had been affected earlier, and that the lawsuit was an attempt to silence satirical portrayals that fall under creative expression.

Represented by senior advocates Neeraj Kishan Kaul and Shyel Trehan, the production company also requested the court to allow the show to remain intact, asserting that removing the contested scene would disrupt the series’ narrative flow. The makers clarified that the show does not directly name or reference Wankhede, and that the police officer character is merely depicted as an “overzealous” cop — a common trope in dark comedies and satires.

The case, which came up before Justice Purushindra Kumar on Thursday, has now been adjourned to November 10 for further proceedings.

The Ba***ds of Bollywood, streaming on Netflix, has drawn attention for its unapologetically sharp commentary on celebrity culture, media frenzy, and the moral ambiguity within the film industry — themes that continue to spark debate about where the line between satire and defamation should be drawn.

Also Read: Sameer Wankhede denies having any grudges against Shah Rukh Khan and family: “I’m just a Government Servant, not living in a Banana Republic”



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