Chickenhare and the Secret of the Groundhog review – time-travel fun for plucky hybrid critters

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A half-chicken half-hare, a skunk and a tortoise go in search of a 3,000-year-old groundhog in this wholesome animation with a surprisingly complex plot Although this animated feature doesn’t have a title as utterly awesome as its predecessor, Chickenhare and the Hamster of Darkness , it’s still a perfectly adequate 90-ish minutes of creamy pastel-coloured picaresque entertainment. It feels like it’s skewed in the direction of younger viewers given the simple character designs, general wholesomeness and easy-on-the-jokes tone, but the plot is surprisingly complicated. The lead character is named Chickenhare because of course he is half-chicken half-hare, although in practice he looks more like a hare than a chicken other than a tuft of feathers on the crown of his head. He is best friends with a skunk named Meg, equipped with the awesome power of stink and who is very butch-coded with her waistcoat, faux-hawk and tomboy characteristics; there is also a tortoise named Abe, who as you mi...
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Moss and Freud review – Kate meets Lucian and they get on brilliantly with absolutely no funny business at all

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London film festival: The supermodel comes across as a dippy trustafarian and the artist like her soppy old grandpa in this bland, legacy-protecting depiction of their friendship

When Lucian Freud met Kate Moss turns out to be the encounter of a sweet, cuddly old gentleman and a guardedly opaque hedonist. Both look defanged.

Freud’s sensational Naked Portrait 2002 is a nude study of the supermodel, to whom he had been introduced by his daughter, the fashion designer Bella Freud. Moss was pregnant when she sat for him – which lent a fierce, additional frisson to the painting’s candour and intimacy. Ellie Bamber plays Kate and carries off the unclothed moments with great directness and aplomb. Freud is played with Germanic R sounds by Derek Jacobi (who incidentally played Freud’s contemporary Francis Bacon in John Maybury’s Love Is the Devil in 1998) and he has Freud’s buzzard-like look but not quite the sharpness and severity.

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