I’m a psychiatrist who was terrified of horror films – until I learned about ‘cinematic neurosis’

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Why do scary movies thrill some viewers and send others running for the hills? Our writer gets to the bottom of his fear of the genre – with the assistance of Freud, clinical researchers and his six-year-old self I am six years old, and I am watching a man turn into a werewolf. The film is Abbott and Costello Meet Frankenstein, a 1948 comedy. I am staring up at our black-and-white TV fixated on the werewolf transformation unfolding in slow motion and I begin to scream so inconsolably that my parents must carry me upstairs to calm me down. That night was the beginning of my lifelong fear of horror films and of the supernatural, of darkness and of being alone in a house. Continue reading... from Film | The Guardian https://ift.tt/nwdHRqF via IFTTT
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‘I said goodbye to Heath Ledger at this urinal’: a stroll round Terry Gilliam’s pivotal places

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The studio where he crashed the Life of Brian spaceship, the stage where he put on a Faust that caused fights, the pub where he last spoke to Heath Ledger … the ex-Python takes a hilarious and evocative stroll down memory lane

Down an alley in Covent Garden, on a building that was once a banana warehouse, there is a blue plaque. “Monty Python, Film Maker, Lived Here, 1976-1987,” reads the inscription. It’s easy to miss: the plaque is not at eye level as they normally are, but up on the first floor, almost as if the blue plaque committee lost confidence in their uncharacteristic joke. Or perhaps John Cleese put it up.

Terry Gilliam arrives. I like his jacket. It looks like it’s been stitched together from bits of blankets. “Me too,” he says. “I got it 30 years ago in a secondhand store in New York.” We’re going to wander around London, revisiting places that have played significant parts in his career, as he approaches his 85th birthday.

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