Vishal Bhardwaj and Shaunak Sen join new film fund initiative supporting independent cinema

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What are the vital ingredients an aspiring filmmaker needs when they have a story to tell but no outlet? Beyond a script, they need financial stability, production expertise, and industry access. Addressing this gap, Humans of Cinema and Safarnaama Pictures have launched a landmark feature film co-production fund of Rs 40,00,000 designed to back an emerging filmmaker with a distinct voice and a clear vision. In a significant boost to the independent ecosystem, Academy Award-nominated filmmaker Shaunak Sen (All That Breathes) and globally acclaimed auteur Vishal Bhardwaj have joined the initiative as mentors. Sen is also attached to the selected project as an Executive Producer. The high-profile jury for the fund includes actor Imran Khan, filmmaker Arati Kadav (Cargo, Mrs), producer Aman Mann (All That Breathes), and renowned author and festival director Aseem Chhabra. Harshit Bansal, Founder of Humans of Cinema, shared that the idea took shape when Nazim Momin of Safarnaama Pictures—...
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‘How is this possible?’: a new film looks inside the appalling abuses of the Alabama prison system

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In the year’s most shocking documentary The Alabama Solution, prisoners share astonishing footage in a plea for help

When film-makers Andrew Jarecki and Charlotte Kaufman visited Alabama’s Easterling prison in 2019, they found a deceptively pleasant scene. Like Alabama’s 13 other prisons, Easterling largely prohibits media access, but allowed the documentarians to film its annual volunteer-run barbecue, a sunny day in which incarcerated men, most of them Black, ate fresh roasts to live music and sermons. On camera, men danced and smiled. But off camera, many more told a different story – horrific beatings, unreported stabbings, unimaginable violence swept under the rug and appalling conditions that “ain’t fit for human society”. Cries for help emerged from inside the sweltering, filthy dorms. When Jarecki approached the voices, a prison official shut down filming, claiming that it was unsafe for him to speak to the men without a police chaperone.

“It was very clear that there were areas of the prison that we were not allowed to see,” Jarecki, whose credits include Capturing the Friedmans and The Jinx: The Life and Deaths of Robert Durst, recalled recently. “They use the idea that it’s all about safety and security, because they don’t want you to understand what they’re doing. These prisons are like black sites.” In the short visit, the crew received the same message over and over: “We don’t have access to the outside world. Please share this.”

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