Why F1 the Movie should win the best picture Oscar

It may not be in pole position, but Brad Pitt and director Joseph Kosinski’s sleek, technically inventive ode to motor racing definitely qualifies for the Academy podium Could, should, would F1 the Movie win the best picture Oscar? Well, we have to be realistic here: F1 is currently a massive outsider, at 200-1 along with The Secret Agent , which has no chance either but for very different reasons. It’s not hard to see why: this is a swaggeringly mainstream film, where tech and branding dwarf the human input, with the film itself acting as a front-end battering ram for a sports organisation desperate to break into the promised land of the US auto racing circuit. (I mean it’s right there in the title.) So even the most reactionary, conservative Academy voter is going to find it hard to mark F1 with their tick. So no, I don’t think it could win. That’s not to say F1 doesn’t have quite a bit going for it. The Oscars, as we know, have historically had a problem with so-called “popular” ...

EXCLUSIVE: Thamma vs Ek Deewane Ki Deewaniyat screen-sharing battle begins; makers of Ayushmann Khurrana-starrer demand ALL shows in single and two-screen cinemas

The much-anticipated Diwali releases, Thamma and Ek Deewane Ki Deewaniyat, are just days away, and the excitement across the trade, industry, and audiences is palpable. As with every major festive clash, the battle for screens has intensified. Bollywood Hungama has learned that the first round of this tussle between the distributors of both films has already begun.

A trade source told Bollywood Hungama, “Thamma, starring Ayushmann Khurrana and Rashmika Mandanna, is being distributed by PVR Inox Pictures. Its distributor-partner in the Mumbai circuit, August Entertainment, has sent a mail to cinemas in the territory informing them about their screen-sharing requirements. They have asked for all shows in single-screen cinemas and two screen theatres. They have also asked for 12 shows in three-screen multiplexes; it means 100% showcasing in two of the three screens and a show or two in the third screen as well.”

The mail from August Entertainment further states that they want 15 shows of Thamma in four-screen theatres, 18 shows in five-screen cinemas, 21 shows in six-screen multiplexes, 24 shows in seven-screen multiplexes, 27 shows in eight-screen multiplexes, 30 shows in nine-screen plexes and 33 shows in 10-screen theatres.

It’s important to note that this move has come directly from August Entertainment, which is handling the release of Thamma in the Mumbai circuit. How distributors in other regions respond, and whether they follow suit with similar demands, remains to be seen.

Nevertheless, the exhibitors have expressed reservations. An exhibitor told us, “We would definitely want to show Thamma as it looks exciting. But single-screen cinemas should also be given a chance to play Ek Deewane Ki Deewaniyat. In fact, it’s the single-screen theatres where the Harshvardhan Rane-film can score big time. And let’s not forget that the Marathi film Premachi Goshta 2 and the Gujarati film Chaniya Toli are also up for release this Diwali. Some cinemas would want to accommodate it as well. Hence, we hope a solution can be found.”

Another exhibitor remarked, “The mail from August Entertainment mentions that the rule exists only for non-PVR, non-Inox and non-Cinepolis cinemas. We feel it’s not fair and it should be uniform for all cinemas.”

Meanwhile, a trade expert commented, “Just a few weeks ago, we saw what happened during the Kantara: A Legend – Chapter 1 vs Sunny Sanskari Ki Tulsi Kumari clash. At that time, the makers of the former asked for 100% shows in single-screen, two-screen and three-screen cinemas. Even in theatres with four screens and more, they asked for nearly 80-90% of showcasing. At least, the distributors are reasonable in the case of Thamma.”

Also Read: Ayushmann Khurrana flashes fake vampire teeth as he and Rashmika Mandanna promote Thamma in Delhi



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