I’m a psychiatrist who was terrified of horror films – until I learned about ‘cinematic neurosis’

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Why do scary movies thrill some viewers and send others running for the hills? Our writer gets to the bottom of his fear of the genre – with the assistance of Freud, clinical researchers and his six-year-old self I am six years old, and I am watching a man turn into a werewolf. The film is Abbott and Costello Meet Frankenstein, a 1948 comedy. I am staring up at our black-and-white TV fixated on the werewolf transformation unfolding in slow motion and I begin to scream so inconsolably that my parents must carry me upstairs to calm me down. That night was the beginning of my lifelong fear of horror films and of the supernatural, of darkness and of being alone in a house. Continue reading... from Film | The Guardian https://ift.tt/nwdHRqF via IFTTT
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Diablo review – Scott Adkins enters Cormac McCarthy territory in over-the-border revenge thriller

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Its deranged antagonist might be an Anton Chigurh rip-off, but some fantastically flailing fight scenes almost lift this otherwise humdrum action romp

No Country for Old Men’s Anton Chigurh was the scariest thing to come out of Latin America since Argentinian inflation. So it’s taken a surprisingly long time to see a direct imitator: the dark-clad avenger El Corvo, played here by Marko Zaror. Not only does he have the gauche coiffuring (bald on top this time), but also the philosophical penchant, asking imminent victims if they’ve given themselves a present recently. If the Cormac McCarthy rip-off wasn’t enough, Ernesto Díaz Espinoza’s ponderous thriller also gives El Corvo a couple of scenes lifted from The Terminator, and the villain from Enter the Dragon’s blade-hand for good measure.

Diablo isn’t all cliches though: martial arts multitool Scott Adkins has a potentially interesting role inverting the usual over-the-border revenge mission. He plays former bank robber Kris, who’s been charged with entering Colombia and kidnapping Elisa (Alanna De La Rossa), the daughter of drug baron Vicente (Lucho Velasco). Making good on a promise to her dead mother to extract her from the kingpin’s clutches, he bundles her into a car boot – and soon he not only has Vicente and assorted ne’er-do-wells on his six, but El Corvo too, hoping to cut in on the bounty.

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