Vishal Bhardwaj and Shaunak Sen join new film fund initiative supporting independent cinema

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What are the vital ingredients an aspiring filmmaker needs when they have a story to tell but no outlet? Beyond a script, they need financial stability, production expertise, and industry access. Addressing this gap, Humans of Cinema and Safarnaama Pictures have launched a landmark feature film co-production fund of Rs 40,00,000 designed to back an emerging filmmaker with a distinct voice and a clear vision. In a significant boost to the independent ecosystem, Academy Award-nominated filmmaker Shaunak Sen (All That Breathes) and globally acclaimed auteur Vishal Bhardwaj have joined the initiative as mentors. Sen is also attached to the selected project as an Executive Producer. The high-profile jury for the fund includes actor Imran Khan, filmmaker Arati Kadav (Cargo, Mrs), producer Aman Mann (All That Breathes), and renowned author and festival director Aseem Chhabra. Harshit Bansal, Founder of Humans of Cinema, shared that the idea took shape when Nazim Momin of Safarnaama Pictures—...
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Chainsaw Man – The Movie: Reze Arc review – gore-soaked demonic anime squats in the manopshere

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Tatsuki Fujimoto’s coming-of-age saga continues with a surreal encounter with a chainsaw-wielding demon living in a teenager’s soul

Shortly after last month’s Demon Slayer: Infinity Castle – confirmed last weekend as the highest-grossing anime feature of all time – a big-screen outing for a movie adaptation of what, in manga terms, is a relative upstart: Tatsuki Fujimoto’s gore-soaked coming-of-age saga, first serialised in 2018. Standard critical guidance applies: what will doubtless be catnip for fans is likely to prove varyingly baffling for newcomers, arriving late to a frenetic game offering few chances for catchup. The latter camp might, however, cling to the Halloween-adjacent release date as a partial decryption device: Fujimoto’s teenage hero Denji (voiced by Kikunosuke Toya) has a chainsaw-wielding demon squatting in his soul, suggesting the twin influences of Tobe Hooper and Shinya Tsukamoto.

The fallout from this will be, to coin a phrase, exaggerated – but the underlying emotions remain legible, maybe even relatable. Dopey slacker Denji is torn between two romantic prospects: notionally nice girl Makita, who appeals to his cultured side, and freckled, jade-eyed waitress Reze, who invites our boy to break into school after hours to skinny-dip. She’s a gal to elevate his heart rate; pity she’s also hellbent on ripping Denji’s heart out.

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