The best Steven Spielberg films, chosen by directors, critics and super-fans: ‘pure popcorn perfection’

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From franchise hits to historical epics, joyous musicals to autobiographical family sagas: Steven Spielberg has done it all. As his latest sci-fi film Disclosure Day is released, film-makers, authors and Guardian critics reveal which of his movies means the most to them Steven Spielberg is often described as the inventor of the “event movie” – or as the creator of our new age of IP supremacy, in which the genre property is more important than any above-the-title film star. But that isn’t quite it. He came of age in the American new wave era but in spirit belonged neither to that nor fully to Hollywood’s golden age studio system that preceded it. In fact, he synthesised both into a directing style that was audacious and fluent. He availed himself of the subversiveness of the new wave, and yet was classically oriented, drawing upon his love of – and alienation from – the all-American suburb, making him the Edward Hopper or the Andrew Wyeth of the movies. Tellingly, it was François Truffa...
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Chainsaw Man – The Movie: Reze Arc review – gore-soaked demonic anime squats in the manopshere

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Tatsuki Fujimoto’s coming-of-age saga continues with a surreal encounter with a chainsaw-wielding demon living in a teenager’s soul

Shortly after last month’s Demon Slayer: Infinity Castle – confirmed last weekend as the highest-grossing anime feature of all time – a big-screen outing for a movie adaptation of what, in manga terms, is a relative upstart: Tatsuki Fujimoto’s gore-soaked coming-of-age saga, first serialised in 2018. Standard critical guidance applies: what will doubtless be catnip for fans is likely to prove varyingly baffling for newcomers, arriving late to a frenetic game offering few chances for catchup. The latter camp might, however, cling to the Halloween-adjacent release date as a partial decryption device: Fujimoto’s teenage hero Denji (voiced by Kikunosuke Toya) has a chainsaw-wielding demon squatting in his soul, suggesting the twin influences of Tobe Hooper and Shinya Tsukamoto.

The fallout from this will be, to coin a phrase, exaggerated – but the underlying emotions remain legible, maybe even relatable. Dopey slacker Denji is torn between two romantic prospects: notionally nice girl Makita, who appeals to his cultured side, and freckled, jade-eyed waitress Reze, who invites our boy to break into school after hours to skinny-dip. She’s a gal to elevate his heart rate; pity she’s also hellbent on ripping Denji’s heart out.

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