Marty Supreme review – Timothée Chalamet a smash in spectacular screwball ping-pong nightmare

Following every dizzying spin of Chalamet’s table tennis hustler, Josh Safdie’s whip-crack comedy serves sensational shots – and a smart return by Gwyneth Paltrow This new film from Josh Safdie has the fanatical energy of a 149-minute ping pong rally carried out by a single player running round and round the table. It’s a marathon sprint of gonzo calamities and uproar, a sociopath-screwball nightmare like something by Mel Brooks – only in place of gags, there are detonations of bad taste, cinephile allusions, alpha cameos, frantic deal-making, racism and antisemitism, sentimental yearning and erotic adventures. It’s a farcical race against time where no one needs to eat or sleep. Timothée Chalamet plays Marty Mauser, a spindly motormouth with the glasses of an intellectual, the moustache of a movie star and the physique of a tiny cartoon character (though that could just be the initials). He’s loosely inspired by Marty “The Needle” Reisman, a real-life US table tennis champ from the ...

Chainsaw Man – The Movie: Reze Arc review – gore-soaked demonic anime squats in the manopshere

Tatsuki Fujimoto’s coming-of-age saga continues with a surreal encounter with a chainsaw-wielding demon living in a teenager’s soul

Shortly after last month’s Demon Slayer: Infinity Castle – confirmed last weekend as the highest-grossing anime feature of all time – a big-screen outing for a movie adaptation of what, in manga terms, is a relative upstart: Tatsuki Fujimoto’s gore-soaked coming-of-age saga, first serialised in 2018. Standard critical guidance applies: what will doubtless be catnip for fans is likely to prove varyingly baffling for newcomers, arriving late to a frenetic game offering few chances for catchup. The latter camp might, however, cling to the Halloween-adjacent release date as a partial decryption device: Fujimoto’s teenage hero Denji (voiced by Kikunosuke Toya) has a chainsaw-wielding demon squatting in his soul, suggesting the twin influences of Tobe Hooper and Shinya Tsukamoto.

The fallout from this will be, to coin a phrase, exaggerated – but the underlying emotions remain legible, maybe even relatable. Dopey slacker Denji is torn between two romantic prospects: notionally nice girl Makita, who appeals to his cultured side, and freckled, jade-eyed waitress Reze, who invites our boy to break into school after hours to skinny-dip. She’s a gal to elevate his heart rate; pity she’s also hellbent on ripping Denji’s heart out.

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