Ek Din teaser out: Junaid Khan and Sai Pallavi promise quiet romance and real-life magic in this gentle love story, watch

If it's about love, everything turns magical. Bringing an absolutely magical, gentle, and classic love story, the teaser of Aamir Khan Productions’ Ek Din has finally been revealed, featuring the cute, lovable, and fresh pairing of Sai Pallavi and Junaid Khan. While the poster had already kept us hooked and eager to witness more glimpses of this beautiful tale of love, the teaser is indeed an absolute treat. Beautifully coloured with the snowy canvas of winter, the teaser of Ek Din opens with a heartwarming dialogue and captivates the fervour of love with its soothing and melodious tune. Showcasing the enchanting chemistry of the fresh on-screen pair, Sai and Junaid, the teaser fills the soul with love and affection. It promises a love story that is rarely made in Bollywood today and beautifully brings back the charm of romance that has been missing from the big screen. South cinema queen, Sai Pallavi, who is making her much-anticipated Hindi film debut, brings her trademark grac...

An ethereally self-aware comedy genius: the loss of Diane Keaton is devastating | Peter Bradshaw

America’s sweetheart was so much more than that: an actor of astonishing singularity and freshness who starred in the very best films of the past century

The millpond calm of her face, its beauty, its gentleness, its openness and unworldliness became even more heart stopping when she laughed or cried – and generations of moviegoers felt their own crush on Diane Keaton escalate into something more. She was more than America’s sweetheart: Keaton was the sophisticated, sweet-natured, unaffectedly sensual woman with whom America was unrequitedly in love. Diane Keaton was out of America’s league.

In the golden age of the American New Wave in the 1970s, she was at the centre of that era’s great comedy and tragedy: as Kay, the innocent wife of Al Pacino’s Michael Corleone in Coppola’s The Godfather (1972), she was the aghast, complicit witness to mob toxicity and murder, paralysed with disillusion and fear as she is shut out of her husband’s dealings in his private sanctum – and then, in the next film, like a modern-day Medea, Diane Keaton’s Kay reveals to the icily infuriated Michael the awful truth about her miscarriage.

Continue reading...

from Film | The Guardian https://ift.tt/RfkUmi7
via IFTTT

Comments

Popular posts from this blog

The Miracle Club review – Maggie Smith can’t save this rocky road trip to Lourdes

BREAKING: Interstellar back in cinemas due to public demand; Dune: Part Two to also re-release on March 14 in IMAX

‘I lost a friend of almost 40 years’: Nancy Meyers pays tribute to Diane Keaton