Salman Khan takes sarcastic dig at AR Murugadoss for saying he arrived at 8 PM on Sikandar sets: “Madharaasi is a bigger blockbuster”

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Actor Salman Khan, who’s currently hosting Bigg Boss 19, didn’t hold back as he addressed director AR Murugadoss’s recent comments accusing him of reporting late to the sets of their film Sikandar. The actor used the popular reality show’s Weekend Ka Vaar episode to respond with his trademark wit and characteristic candour. The Background: Murugadoss's Allegation Earlier, Sikandar director AR Murugadoss had told Valaipechu Voice that working with a major Bollywood star posed challenges. He claimed Salman would “arrive only by 8 PM,” forcing the crew to shoot even day scenes at night. Murugadoss described the schedule as chaotic, saying it affected child actors who had to film late into the night. Despite acknowledging his own creative shortcomings, the director hinted that the erratic timing contributed to the film’s underperformance. Salman’s Retort on Bigg Boss 19 Addressing the issue head-on during Bigg Boss 19, Salman responded to a question from comedian Ravi Gupta about film...
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An ethereally self-aware comedy genius: the loss of Diane Keaton is devastating | Peter Bradshaw

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America’s sweetheart was so much more than that: an actor of astonishing singularity and freshness who starred in the very best films of the past century

The millpond calm of her face, its beauty, its gentleness, its openness and unworldliness became even more heart stopping when she laughed or cried – and generations of moviegoers felt their own crush on Diane Keaton escalate into something more. She was more than America’s sweetheart: Keaton was the sophisticated, sweet-natured, unaffectedly sensual woman with whom America was unrequitedly in love. Diane Keaton was out of America’s league.

In the golden age of the American New Wave in the 1970s, she was at the centre of that era’s great comedy and tragedy: as Kay, the innocent wife of Al Pacino’s Michael Corleone in Coppola’s The Godfather (1972), she was the aghast, complicit witness to mob toxicity and murder, paralysed with disillusion and fear as she is shut out of her husband’s dealings in his private sanctum – and then, in the next film, like a modern-day Medea, Diane Keaton’s Kay reveals to the icily infuriated Michael the awful truth about her miscarriage.

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