Diane Keaton’s nail clippers for $960: what’s behind the new boom in celebrity estate auctions?

With beloved stars’ personal items increasingly up for grabs after they die, a new generation of fans are bidding on everything from bowler hats to dog bowls From Diane Keaton’s bowler hats and polka dot scarfs, to Gene Hackman’s used paint brushes, to Terence Stamp’s love letters from Jean Shrimpton and even Matthew Perry’s black leather wallet (his credit cards and AAA membership card still inside), fans are being offered – at a price – increasingly personal items from the estates of dead celebrities. The growing trend for auctions of deceased famous people’s personal items – which has boomed ever since the hugely popular Marilyn Monroe estate sale in 1999 – has even attracted its own portmanteau: “deleb” as in dead celebrity. Continue reading... from Film | The Guardian https://ift.tt/4Yh215g via IFTTT

The Glassworker review – beautiful Ghibli-esque anti-war fable

Pakistani animator Usman Riaz’s dazzling debut owes much to Hayao Miyazaki, founder of Japan’s legendary studio, even if the magic and wonder falls a little short of his hero

Going by the poster, it looks like Hayao Miyazaki, the founder of Japan’s legendary Studio Ghibli, has come out of retirement – again. But this gorgeous hand-drawn film is a Pakistani production, a feature debut from young animator Usman Riaz with some dazzling images up there with the best of Ghibli. (And there is a connection: Ghibli producer Geoffrey Wexler is credited here as a creative consultant.)

The Glassworker is a heartfelt anti-war film set in a bustling fictional seaside town sometime in the early to mid 20th century. Vincent (voiced by Sacha Dhawan as a young man in the English-language dubbed version) is the son of glassworker Tomas, a pacifist who becomes increasingly unpopular in town as the drumbeats of war grow louder. Vincent receives a letter from his friend Alliz (Anjli Mohindra), the daughter of an army colonel. Much of what follows is bittersweet memories of their childhood, beginning with how they met; there are lovely unforced scenes though some of the voice acting here and elsewhere feels a bit flat.

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