Archana Puran Singh reveals why she hid her marriage for 4 years

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Indian actress and television personality Archana Puran Singh has revealed that she kept her marriage to actor Parmeet Sethi a secret for nearly four years, citing industry pressures that once discouraged married women from pursuing acting careers. Archana, known for her work in several iconic Bollywood films, married Parmeet Sethi in 1992. However, she chose not to make the marriage public at the time. Speaking recently, the actress said that during that phase in the film industry, marriage was often seen as a setback for female actors, leading to fewer opportunities. She described this mindset as a “nonsense trend” and said it played a major role in her decision to keep her marital status private while continuing to work. She also shared that the secrecy around the marriage was influenced by several personal and social challenges. Parmeet was younger than her, which contributed to resistance from family members, and there was disapproval from both sides regarding the relationship. ...
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In Whose Name? review – Kanye’s descent makes for grimly compelling watch

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More than 3,000 hours of footage filmed since 2018 by a teenager gets turned into a strange, revealing and unsettling look at a fallen star

“What was Kanye West thinking?” has remained a prevailing question since the Grammy award-winning rapper-producer pulled the rip cord on his spectacular descent into rightwing nihilism more than a decade ago. In Whose Name?, a cinéma vérité take on the tortured musical genius (who goes by just Ye now), offers fans and long-term observers a new artifact to pore over in search of answers – and reason to be disappointed all over again.

That’s not a knock on the 104-minute opus, an outcropping of more than 3,000 hours of footage – some of it never before seen, some of it a reverse perspective on the viral stunts and rants that have marked Ye’s dramatic nosedive. Director Nico Ballesteros – who started filming in 2018, at age 18, with nothing to recommend him (his stint as a second assistant director on a Jesus Is King concert video came later) – had sweeping access to Ye and made the distinctive choice not to layer it with any talking-head commentary for context. Mostly, he turns on the camera, holds a tight focus on his subject and lets the rest drift in and out of frame.

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