Jackky Bhagnani returns to acting after six years with Independence Day anthem 'Tere Rang Mein': "I wanted the street credibility and respect of Gen Z"

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Jackky Bhagnani has returned to acting after a six-year gap with the Independence Day anthem 'Tere Rang Mein,' released under his music label Jjust Music. The actor-producer said the song offered him an opportunity to return to the screen with a project that was personally meaningful to him. Bhagnani described himself as a patriot and said the nature of the song played an important role in his decision to face the camera again. “I am a patriot by heart. It’s been quite some time since I faced the camera. So, I thought the best way to come back is with the right cause,” Bhagnani said. The actor's return comes after several years of focusing primarily on film production. According to Bhagnani, stepping away from acting was a conscious decision as he worked behind the scenes and became more involved in producing films. Jackky Bhagnani on focusing on film production Bhagnani said his experience as a producer made him rethink the way he wanted to approach his acting career. He ...
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In Whose Name? review – Kanye’s descent makes for grimly compelling watch

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More than 3,000 hours of footage filmed since 2018 by a teenager gets turned into a strange, revealing and unsettling look at a fallen star

“What was Kanye West thinking?” has remained a prevailing question since the Grammy award-winning rapper-producer pulled the rip cord on his spectacular descent into rightwing nihilism more than a decade ago. In Whose Name?, a cinéma vérité take on the tortured musical genius (who goes by just Ye now), offers fans and long-term observers a new artifact to pore over in search of answers – and reason to be disappointed all over again.

That’s not a knock on the 104-minute opus, an outcropping of more than 3,000 hours of footage – some of it never before seen, some of it a reverse perspective on the viral stunts and rants that have marked Ye’s dramatic nosedive. Director Nico Ballesteros – who started filming in 2018, at age 18, with nothing to recommend him (his stint as a second assistant director on a Jesus Is King concert video came later) – had sweeping access to Ye and made the distinctive choice not to layer it with any talking-head commentary for context. Mostly, he turns on the camera, holds a tight focus on his subject and lets the rest drift in and out of frame.

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