Why F1 the Movie should win the best picture Oscar

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It may not be in pole position, but Brad Pitt and director Joseph Kosinski’s sleek, technically inventive ode to motor racing definitely qualifies for the Academy podium Could, should, would F1 the Movie win the best picture Oscar? Well, we have to be realistic here: F1 is currently a massive outsider, at 200-1 along with The Secret Agent , which has no chance either but for very different reasons. It’s not hard to see why: this is a swaggeringly mainstream film, where tech and branding dwarf the human input, with the film itself acting as a front-end battering ram for a sports organisation desperate to break into the promised land of the US auto racing circuit. (I mean it’s right there in the title.) So even the most reactionary, conservative Academy voter is going to find it hard to mark F1 with their tick. So no, I don’t think it could win. That’s not to say F1 doesn’t have quite a bit going for it. The Oscars, as we know, have historically had a problem with so-called “popular” ...
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Al Pacino on Dog Day Afternoon at 50: ‘It plays more today than it even did then’

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The 85-year-old actor talks the legacy of his stirring 1975 drama, his love of YouTube, fake death rumours and why he won’t discuss politics

The lions of 1970s cinemas are now lions in winter. “I’m so sad about Redford,” says Al Pacino, a day after the death of Robert Redford, his fellow octogenarian actor. “I liked him so much. He was such a sweetheart.”

Perhaps it is because he is currently filming King Lear that Pacino is preoccupied with our collective crawl toward death. He recently rewatched his younger self in Dog Day Afternoon, a Hollywood classic that celebrates its 50th anniversary on Sunday, and was struck by how many of the cast are now gone.

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