Harpo speaks! New recordings reveal mute Marx brother chatting with audience

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The comedy legend, who adopted his silent persona because of stage nerves, did occasionally address his audience, as revealed by a new archive release Groucho was the cigar-chomping wit with the improbable moustache, Chico was the piano-playing rustic grifter and Zeppo played the straight man and the lover. But as any Marx Brothers fan knows, Harpo was the pantomime, who cracked up the audience without saying a word, dressed in his tattered raincoat and curly wig. His persona was childlike and mischievous but also musical – he let his harp and his taxi horn do the talking. But now we get to see, or rather hear, a new side to Harpo Marx. A very special recording has been unearthed of Harpo in 1964 speaking to an audience, in character. Arthur “Harpo” Marx was born Adolph Marx in New York in 1888. He started performing with his brothers in 1910, and his nickname probably came about because of his instrument of choice – he was an entirely self-taught musician. By 1915, due to his nerves a...
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The Memory Blocks review – playful and purposeful exploration of developmental disorders

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Andrew Kötting’s complex docu-essay about his daughter Eden, who has Joubert syndrome, refuses conventional grammar

Artist and film-maker Andrew Kötting returns to the themes of consciousness and memory (both individual and collective) in this playful and ruminative docu-essay, in which he is again working with his daughter Eden; she is at once his subject and his collaborator.

Eden was born in 1988 with the genetic disorder Joubert syndrome; she draws and paints and often appears in Kötting’s films. I have in the past wondered aloud if Kötting might tackle the challenges of being with Eden more straightforwardly. But perhaps that was obtuse of me; it could be that it is only this complex, layered, tonally elusive approach which refuses the conventional grammar of clinical concern does justice to the idea of seeing the world as Eden sees it.

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