Sharvari leads her generation's biggest film line-up; 2 massive theatrical releases set to arrive in just 28 days

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Sharvari is fast emerging as one of the most exciting talents of her generation, and her growing filmography is proof that the industry’s biggest filmmakers and banners are betting big on her. The young actress has built an enviable line-up that includes Imtiaz Ali’s Main Vaapas Aaunga, Aditya Chopra’s Alpha, Sooraj Barjatya’s Yeh Prem Mol Liya, and YRF and Ali Abbas Zafar’s untitled next, in which she is paired opposite Ahaan Panday. What makes her upcoming slate even more remarkable is that Sharvari has two major theatrical releases within a span of just 28 days. While Main Vaapas Aaunga is set to arrive on June 12, Alpha will hit cinemas on July 10, giving her a huge opportunity to consolidate her place among the most promising young stars in the industry. Sharvari has already sparked a strong conversation with the teaser of Main Vaapas Aaunga, where her innocence and screen presence have stood out instantly. In fact, many on the internet are already calling her the “best-kept sur...
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Somnium review – dream-injection sci-fi plot follows in dodgy-clinic tracks of The Substance

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Racheal Cain’s debut feature feels derivative, with plotlines that are forced together and cartoonish reductions that sell its characters short

Hard on the heels of The Substance comes another film about a dodgy Los Angeles experimental clinic and showbiz obsession – only this medical outfit, Somnium, is a shonky mind-fixing operation à la Eternal Sunshine of the Spotless Mind. Wannabe actor Gemma (Chloë Levine) lands a “sleep-sitting” job at the firm, watching over patients in pods who are hoping to improve their lives by having helpful dreams injected into their subconsciouses. Already working the audition circuit hard, she doesn’t appear to need that kind of assistance – but flashbacks to the idyllic relationship she ditched in Georgia hint at a festering inner wound.

Appealing though its crisp sci-fi premise makes it, Racheal Cain’s debut feature nonetheless feels as if it has been directly imprinted with far too many secondhand pop-cultural memories: some decaying Eternal Sunshine relationship detritus here, a mysterious producer svengali (Johnathon Schaech) and a transformative audition-room scene straight from Mulholland Drive over there. Even one of the key performances feels derivative: Will Peltz as Noah, Gemma’s creepy, aviator-specs colleague, xeroxes Cillian Murphy’s supercilious distaste.

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