EXCLUSIVE: After OMG Oh My God and 102 Not Out, Umesh Shukla's acclaimed play Madhuri vs Dixit to be made into a film

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Umesh Shukla has been a popular name among Gujarati audiences for several years and since 2012, he has also enjoyed nationwide popularity. That was the year when OMG Oh My God, an adaptation of his cult Gujarati play Kanji Viruddh Kanji, was made as a Bollywood film. Starring Paresh Rawal and Akshay Kumar, the devotional courtroom drama emerged as a sleeper super-hit. Six years later, he made 102 Not Out (2018), an adaptation of the Gujarati play of the same name. The film adaptation, starring Amitabh Bachchan and Rishi Kapoor, was also a success. And now, Umesh Shukla is all set to adapt yet another of his acclaimed plays for the big screen – Madhuri vs Dixit. Madhuri vs Dixit is a Hindi play and its premiere took place on April 26 in Mumbai. Interestingly, it was earlier staged in Gujarati, with the title Madhuri Dixit. It stars Riddhi Shukla and Jaideep Shah in leading roles. Interestingly, the former is also the wife of Umesh Shukla. Unnati Gala and Harshad Patel feature in suppor...
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Somnium review – dream-injection sci-fi plot follows in dodgy-clinic tracks of The Substance

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Racheal Cain’s debut feature feels derivative, with plotlines that are forced together and cartoonish reductions that sell its characters short

Hard on the heels of The Substance comes another film about a dodgy Los Angeles experimental clinic and showbiz obsession – only this medical outfit, Somnium, is a shonky mind-fixing operation à la Eternal Sunshine of the Spotless Mind. Wannabe actor Gemma (Chloë Levine) lands a “sleep-sitting” job at the firm, watching over patients in pods who are hoping to improve their lives by having helpful dreams injected into their subconsciouses. Already working the audition circuit hard, she doesn’t appear to need that kind of assistance – but flashbacks to the idyllic relationship she ditched in Georgia hint at a festering inner wound.

Appealing though its crisp sci-fi premise makes it, Racheal Cain’s debut feature nonetheless feels as if it has been directly imprinted with far too many secondhand pop-cultural memories: some decaying Eternal Sunshine relationship detritus here, a mysterious producer svengali (Johnathon Schaech) and a transformative audition-room scene straight from Mulholland Drive over there. Even one of the key performances feels derivative: Will Peltz as Noah, Gemma’s creepy, aviator-specs colleague, xeroxes Cillian Murphy’s supercilious distaste.

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