REVEALED: NO IMAX release for Spider-Man: Brand New Day as Christopher Nolan’s The Odyssey EXCLUSIVELY blocks IMAX screens for three weeks

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July is expected to be huge for Hollywood in India, as two highly anticipated films are set to arrive in cinemas. The Odyssey will release on July 17, while Spider-Man: Brand New Day will hit theatres in India on July 30. Though both films are still a month away from release, their advance bookings have already opened for Indian audiences. The bookings of The Odyssey went live on June 8, while yesterday, June 17, viewers got a chance to book tickets for Spider-Man: Brand New Day. The tickets of both films are selling like hot cakes, indicating that they are headed for a strong start at the box office. Spider-Man films have traditionally enjoyed an IMAX release, but Spider-Man: Brand New Day will be an exception. As of now, bookings have opened only in PXL, 4DX, ScreenX, Marco XE and other such premium formats. A user asked in the comments section of the film’s trailer, posted by Sony Pictures India, whether Spider-Man: Brand New Day would release in IMAX. Sony confirmed, “No IMAX rele...
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Somnium review – dream-injection sci-fi plot follows in dodgy-clinic tracks of The Substance

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Racheal Cain’s debut feature feels derivative, with plotlines that are forced together and cartoonish reductions that sell its characters short

Hard on the heels of The Substance comes another film about a dodgy Los Angeles experimental clinic and showbiz obsession – only this medical outfit, Somnium, is a shonky mind-fixing operation à la Eternal Sunshine of the Spotless Mind. Wannabe actor Gemma (Chloë Levine) lands a “sleep-sitting” job at the firm, watching over patients in pods who are hoping to improve their lives by having helpful dreams injected into their subconsciouses. Already working the audition circuit hard, she doesn’t appear to need that kind of assistance – but flashbacks to the idyllic relationship she ditched in Georgia hint at a festering inner wound.

Appealing though its crisp sci-fi premise makes it, Racheal Cain’s debut feature nonetheless feels as if it has been directly imprinted with far too many secondhand pop-cultural memories: some decaying Eternal Sunshine relationship detritus here, a mysterious producer svengali (Johnathon Schaech) and a transformative audition-room scene straight from Mulholland Drive over there. Even one of the key performances feels derivative: Will Peltz as Noah, Gemma’s creepy, aviator-specs colleague, xeroxes Cillian Murphy’s supercilious distaste.

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