The Summer Book review – Glenn Close powers sweet-natured take on Tove Jansson’s kids’ classic

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This sensitive adaptation of Jansson’s 1972 novel, set in the beatific Gulf of Finland, is a quiet treatise on life and death Glenn Close brings her totemic presence to this gentle movie – as well as a makeup-enhanced grandmotherly face. This is a sweet-natured adaptation of Tove Jansson’s 1972 novel; it has charm, though it’s sometimes becalmed in its own sensitivity. Close plays a tough, wise, humorous-yet-cantankerous eightysomething woman who likes cigarettes and walking around outside stark naked when there’s nobody else around. She brings her recently widowed son (Anders Danielsen Lie) and six-year-old granddaughter Sophia (newcomer Emily Matthews) to a tiny, idyllic island in the Gulf of Finland, where they have a summer cottage. The grandmother may, incidentally, have unresolved feelings for local man Eriksson, in a fleeting cameo for veteran Icelandic actor Ingvar Sigurdsson. Continue reading... from Film | The Guardian https://ift.tt/Byd3OvG via IFTTT
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Phil Mulloy obituary

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Phil Mulloy, my life partner, who has died aged 76, was one of Britain’s most fiercely independent voices in animation, known for the dark wit and distinctive visual style of his films.

He found international acclaim with Cowboys (1991), a series of six short films that parodied westerns and masculinity, and were produced by Channel 4 and the Arts Council. Later his Ten Commandments shorts (1994–96) and the Intolerance trilogy (2000–04) offered brutal, funny critiques of ideology and human cruelty.

Phil rejected slick studio polish in favour of rawness, rage and provocation, and as a result developed a cult following as an “anti-animator”. His work was celebrated in retrospectives and DVD collections, including with the British Film Institute’s Phil Mulloy: Extreme Animation (1999) and several releases in France by ED Distribution.

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