The Blood Countess review – Isabelle Huppert reigns supreme in a surreal vampire fantasia

Vienna turns into a playground of camp, cruelty and aristocratic disdain in a blackly comic take on the Báthory legend – with Huppert gloriously suited to the title role From the dark heart of central Europe comes a midnight-movie romp through the moonlit urban glades of Euro-goth and camp from German director Ulrike Ottinger. As for the star … well, it’s the part she was born to play. Isabelle Huppert is Countess Elizabeth Báthory, 16th-century Hungarian noblewoman and serial killer, legendary for having the blood of hundreds of young girls on her hands and indeed her body, in an attempt to attain eternal youth. The “blood countess” has been variously played in the past by Ingrid Pitt, Delphine Seyrig, Paloma Picasso, Julie Delpy and many more, but surely none were as qualified as Huppert who importantly does not modify her habitual hauteur one iota for the role. Her natural aristocratic mien and cool hint of elegant contempt were never so well matched with a part. She gives us the ...

Phil Mulloy obituary

Phil Mulloy, my life partner, who has died aged 76, was one of Britain’s most fiercely independent voices in animation, known for the dark wit and distinctive visual style of his films.

He found international acclaim with Cowboys (1991), a series of six short films that parodied westerns and masculinity, and were produced by Channel 4 and the Arts Council. Later his Ten Commandments shorts (1994–96) and the Intolerance trilogy (2000–04) offered brutal, funny critiques of ideology and human cruelty.

Phil rejected slick studio polish in favour of rawness, rage and provocation, and as a result developed a cult following as an “anti-animator”. His work was celebrated in retrospectives and DVD collections, including with the British Film Institute’s Phil Mulloy: Extreme Animation (1999) and several releases in France by ED Distribution.

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