Salman Khan takes sarcastic dig at AR Murugadoss for saying he arrived at 8 PM on Sikandar sets: “Madharaasi is a bigger blockbuster”

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Actor Salman Khan, who’s currently hosting Bigg Boss 19, didn’t hold back as he addressed director AR Murugadoss’s recent comments accusing him of reporting late to the sets of their film Sikandar. The actor used the popular reality show’s Weekend Ka Vaar episode to respond with his trademark wit and characteristic candour. The Background: Murugadoss's Allegation Earlier, Sikandar director AR Murugadoss had told Valaipechu Voice that working with a major Bollywood star posed challenges. He claimed Salman would “arrive only by 8 PM,” forcing the crew to shoot even day scenes at night. Murugadoss described the schedule as chaotic, saying it affected child actors who had to film late into the night. Despite acknowledging his own creative shortcomings, the director hinted that the erratic timing contributed to the film’s underperformance. Salman’s Retort on Bigg Boss 19 Addressing the issue head-on during Bigg Boss 19, Salman responded to a question from comedian Ravi Gupta about film...
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Frankenstein review – Guillermo del Toro reanimates a classic as a monstrously beautiful melodrama

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Venice film festival
Oscar Isaac and Jacob Elordi star as the freethinking anatomist and his creature as Mary Shelley’s story is reimagined with bombast in the director’s unmistakable visual style

Guillermo del Toro has created a movie about a grotesquely unnatural attempt to make a human being shocking in his physical strangeness … but that’s enough about his film version of Pinocchio. Now Del Toro has written and directed a bombastic but watchable new version of Mary Shelley’s great novel and makes of it a stately melodrama, starring Oscar Isaac as the anatomist and passionate freethinker Victor Frankenstein and Jacob Elordi as his creature: no passé neck-bolts or big fringey forehead, of course, and if you compare him with portrayals by other actors – Boris Karloff, Peter Boyle, Robert De Niro – he is, for all the picturesque prosthetic scars, the nearest this iconic figure has come to being a bit of a hottie.

It’s an epic bromance between scientist and monster, both of whom speak with plummy British accents, the monster’s one having a touch of John Hurt in The Elephant Man. The visual style of the movie is utterly distinctive and unmistakably that of Del Toro: a series of lovely, intricate images, filigreed with infinitesimally exact cod-period detail; deep focus but also strangely depthless, like hi-tech stained glass or illustrated plates in a Victorian tome; pictures whose luxurious beauty underscores the film’s reverence for the source material and for itself, but which for me impedes the energy of horror. For all the guignol, this movie is not going to risk actual bad taste, unlike the brilliant and far more interesting film on the Frankensteinian theme: Yorgos Lanthimos’s Poor Things.

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