Sharvari leads her generation's biggest film line-up; 2 massive theatrical releases set to arrive in just 28 days

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Sharvari is fast emerging as one of the most exciting talents of her generation, and her growing filmography is proof that the industry’s biggest filmmakers and banners are betting big on her. The young actress has built an enviable line-up that includes Imtiaz Ali’s Main Vaapas Aaunga, Aditya Chopra’s Alpha, Sooraj Barjatya’s Yeh Prem Mol Liya, and YRF and Ali Abbas Zafar’s untitled next, in which she is paired opposite Ahaan Panday. What makes her upcoming slate even more remarkable is that Sharvari has two major theatrical releases within a span of just 28 days. While Main Vaapas Aaunga is set to arrive on June 12, Alpha will hit cinemas on July 10, giving her a huge opportunity to consolidate her place among the most promising young stars in the industry. Sharvari has already sparked a strong conversation with the teaser of Main Vaapas Aaunga, where her innocence and screen presence have stood out instantly. In fact, many on the internet are already calling her the “best-kept sur...
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Concessions review – moviegoer melancholy for Michael Madsen’s final film

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Madsen cameos as a stuntman visiting a smalltown movie theatre on its last day before closing down in this amiable, bittersweet story for cinephiles

The late Michael Madsen makes his final, posthumous appearance as a boozy stuntman called Rex Fuel in this laidback ensemble film from feature first-timer Mas Bouzidi, a piece of moviegoing melancholy developed from the director’s short of the same title. Bouzidi gives us the time-honoured scenario of a smalltown movie theatre’s last day before closing down, resonantly named the Royal Alamo and showing for its last stand a couple of films on 35mm. The place has been stricken, of course, by the prevalence of digital streaming, although the wistful mood doesn’t seem too different from Bogdanovich’s The Last Picture Show from 1971, when Netflix wasn’t a problem.

The Royal Alamo is now a bittersweet place of memories whose spirit is perhaps epitomised by the two guys listlessly working at the concessions stand, and bickering amusingly like Kevin Smith’s Clerks. (“That movie where Johnny Depp played the creepy paedophile … ”, “Willy Wonka?”, “Yeah”) The title might imply that some concessions are metaphorical. Perhaps doing a dull job is a concession made in return for privileged access to the dream factory.

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