Jackky Bhagnani returns to acting after six years with Independence Day anthem 'Tere Rang Mein': "I wanted the street credibility and respect of Gen Z"

Jackky Bhagnani has returned to acting after a six-year gap with the Independence Day anthem 'Tere Rang Mein,' released under his music label Jjust Music. The actor-producer said the song offered him an opportunity to return to the screen with a project that was personally meaningful to him. Bhagnani described himself as a patriot and said the nature of the song played an important role in his decision to face the camera again. “I am a patriot by heart. It’s been quite some time since I faced the camera. So, I thought the best way to come back is with the right cause,” Bhagnani said. The actor's return comes after several years of focusing primarily on film production. According to Bhagnani, stepping away from acting was a conscious decision as he worked behind the scenes and became more involved in producing films. Jackky Bhagnani on focusing on film production Bhagnani said his experience as a producer made him rethink the way he wanted to approach his acting career. He ...

Colorful Stage! The Movie: A Miku Who Can’t Sing review – candy-haired popsters put on a show

A garbled story of metaverse musicians based on a mobile game leaves its audience little to grasp hold of

Even by the standards of franchise anime that caters to the faithful and drops newcomers in blind, this is particularly incomprehensible. Based on the mobile game Hatsune Miku: Colorful Stage!, it features a barely characterised blur of wannabe musicians and actors who ascribe Manhattan Project importance to writing syrupy J-pop. As they interact with virtual counterparts in metaverses called “Sekai” created from users’ emotions, the film is like The Matrix if Neo had huffed a nitrous oxide canister before having every edition of Pop Idol downloaded into his cranium.

One of the virtual pop stars, a rogue version of Hatsune Miku (voiced by Saki Fuijta), keeps invading high-school kids’ mobile phones and flatscreens, begging for help. Apparently issuing from a Sekai created by the emo angst of everyone about to give up on their creative ambitions, she is hoping to connect with these lost souls. So Miku taps this creative hive mind about how better to refine the ditty she believes can unite the world – while the seething mass of negativity in her home dimension swells to apocalyptic proportions.

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