EXCLUSIVE: After OMG Oh My God and 102 Not Out, Umesh Shukla's acclaimed play Madhuri vs Dixit to be made into a film

Umesh Shukla has been a popular name among Gujarati audiences for several years and since 2012, he has also enjoyed nationwide popularity. That was the year when OMG Oh My God, an adaptation of his cult Gujarati play Kanji Viruddh Kanji, was made as a Bollywood film. Starring Paresh Rawal and Akshay Kumar, the devotional courtroom drama emerged as a sleeper super-hit. Six years later, he made 102 Not Out (2018), an adaptation of the Gujarati play of the same name. The film adaptation, starring Amitabh Bachchan and Rishi Kapoor, was also a success. And now, Umesh Shukla is all set to adapt yet another of his acclaimed plays for the big screen – Madhuri vs Dixit. Madhuri vs Dixit is a Hindi play and its premiere took place on April 26 in Mumbai. Interestingly, it was earlier staged in Gujarati, with the title Madhuri Dixit. It stars Riddhi Shukla and Jaideep Shah in leading roles. Interestingly, the former is also the wife of Umesh Shukla. Unnati Gala and Harshad Patel feature in suppor...

Colorful Stage! The Movie: A Miku Who Can’t Sing review – candy-haired popsters put on a show

A garbled story of metaverse musicians based on a mobile game leaves its audience little to grasp hold of

Even by the standards of franchise anime that caters to the faithful and drops newcomers in blind, this is particularly incomprehensible. Based on the mobile game Hatsune Miku: Colorful Stage!, it features a barely characterised blur of wannabe musicians and actors who ascribe Manhattan Project importance to writing syrupy J-pop. As they interact with virtual counterparts in metaverses called “Sekai” created from users’ emotions, the film is like The Matrix if Neo had huffed a nitrous oxide canister before having every edition of Pop Idol downloaded into his cranium.

One of the virtual pop stars, a rogue version of Hatsune Miku (voiced by Saki Fuijta), keeps invading high-school kids’ mobile phones and flatscreens, begging for help. Apparently issuing from a Sekai created by the emo angst of everyone about to give up on their creative ambitions, she is hoping to connect with these lost souls. So Miku taps this creative hive mind about how better to refine the ditty she believes can unite the world – while the seething mass of negativity in her home dimension swells to apocalyptic proportions.

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