Allo la France review – romance of French phone booths exposes funding cuts to rural services

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In an endearingly whimsical road trip documentary, Floriane Devigne takes calls from her interview subjects in the last remaining phone boxes dotted across rural France The humble telephone box, a souvenir from the days of analogue, can also be an intriguing cinematic locus. Floriane Devigne’s road trip documentary begins with such a relic: the last public phone booth in Paris, which also appears in Jacques Rivette’s mesmerising 1981 film Le Pont du Nord. Unlike their Instagrammable British counterparts, French phone boxes are usually painted in a demure grey and blend seamlessly with their surroundings. As it moves from the capital city to more remote areas, Devigne’s film observes the vanishing of a formerly essential utility as her cross-country odyssey sparkles with an endearing whimsicality. Instead of using talking heads, Devigne ducks into various phone boxes scattered across France, as she takes calls from her interview subjects. Stories of love and longing fill these unassum...
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How historic Ealing Studios is hoping to regain ground with £20m revamp

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Co-owner of west London studios tells of dunking Victoria Beckham, industry upheavals and 25-year labour of love

The first time film-maker Barnaby Thompson visited Ealing Studios it was to shoot Victoria Beckham, who at the time was better known globally as Posh Spice, being unceremoniously plunged underwater.

“It was 1997, we were making Spice World and there was a sequence where Posh Spice got thrown into the Thames,” says Thompson, whose film credits include Wayne’s World, the remake of St Trinian’s and an adaptation of Oscar Wilde’s An Ideal Husband. “We have a tank at Ealing so we shot Posh being thrown into the tank. It was the first time I had been on that hallowed ground.”

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