S/he Is Still Her/e: The Official Genesis P-Orridge Doc review – Throbbing Gristle’s gender-challenging tabloid-baiter

-
Sympathetic docu-biography centres on the conceptual artist deemed ‘too shocking for punk’ who inadvertently spawned the industrial music genre Genesis P-Orridge was the performance artist, shaman and lead singer of Throbbing Gristle who was born as Neil Megson in Manchester in 1950, but from the 90s lived in the US. P-Orridge challenged gender identity but it is clear from the interviewees that there were no wrong answers when it came to pronouns: “he”, “she” and “they” are all used. This is a sympathetic and amiable official docu-biography in which the subject comes across as a mix of Aleister Crowley, Charles Manson and Screaming Lord Sutch. The “P-Orridge” surname makes me suspect that Spike Milligan might have been an indirect influence, although there’s also a bit of Klaus Kinski in there as well. Genesis P-Orridge, known to friends and family as Gen, started as a radical conceptual artist, rule-breaker, consciousness-expander and tabloid-baiter who with Throbbing Gristle influ...
Post a Comment

EXCLUSIVE: No shows before 9 am, no blockbuster pricing, no sharing of shows in single screens - release strategy of Aamir Khan-starrer Sitaare Zameen Par REVEALED

-

The much-awaited film, Sitaare Zameen Par, is all set to release in 2 days and the excitement is tremendous. Yesterday, Bollywood Hungama broke the viral story of the censor cuts in the Aamir Khan-starrer. Today, we bring to you the release strategy opted for by the makers and distributors of Sitaare Zameen Par.

An exhibition source told Bollywood Hungama, "The distributors have sent a list of requirements to all the theatres, now that the censor certificate has been obtained. As per the requirement, there should be no show of the film before 9:00 am. They have asked cinema halls to opt for popular weekend pricing for the film. Usually, big films go for blockbuster pricing, when the rates are sky-high. Aamir, however, has not allowed it, probably as it would have made it unaffordable for a large chunk of the moviegoers."

The source further said, "The popular ticket pricing is a bit higher than regular pricing. But for a big film to not go for higher rates is a significant step."

The source shared more details on the screen requirement, "If the single screen wants to play the film, the exhibitor will be required to have all shows of Sitaare Zameen Par. It can't exhibit any other film. Two-screen cinemas need to allot 8 shows. Multiplexes with 3, 4, 5 and 6 screens need to play 11, 14, 16 and 19 shows a day respectively. For 7-screen multiplexes, 22 shows are a must while for 8-screen plexes, 25 shows are mandatory in a day. There should be 28 shows in 9-screen cinemas and for multiplexes with 10 screens and more, the requirement is 31 shows."

The advance booking of Sitaare Zameen Par was opened yesterday as soon as the CBFC passed the film. As expected, the makers have gone wide with the release. A final screen count is expected to be known by tomorrow, June 19.

Also Read: EXCLUSIVE: CBFC asks Sitaare Zameen Par makers to replace Michael Jackson with ‘Lovebirds’; add a quote of Narendra Modi after opening disclaimer



from Latest Bollywood News | Hindi Movie News | Hindi Cinema News | Indian Movies | Films - Bollywood Hungama https://ift.tt/UyGj16N
via IFTTT

Comments

Post a Comment

Popular posts from this blog

BREAKING: Interstellar back in cinemas due to public demand; Dune: Part Two to also re-release on March 14 in IMAX

-
A lot of Bollywood films have re-released off late but when it comes to Hollywood, a handful of classics have had a re-run in cinemas. Last month, Interstellar re-released and received a rocking response. However, it just had a one-week run. If you missed watching the cult film in cinemas, here’s a reason for you to rejoice. The film will be back on the big screen on March 14, that too in IMAX. Moreover, Warner Bros will also bring back Dune: Part Two on the same day in theatres. A source told Bollywood Hungama, “Interstellar has a huge demand as it’s a film worth watching in theatres, that too IMAX. However, it re-released on February 7 and had to discontinued from February 14 to accommodate the new releases, Chhaava and Captain America: Brand New World. Both these films got a release in IMAX as well.” The source continued, “Many were aware that Interstellar had just a one week run. Hence, it held very well in the weekdays, collecting Rs. 2 crore plus. Yet, there was a section of mo...
Read more

‘I lied to get the part’: Melvyn Hayes on his ‘angry young man’ beginnings – and It Ain’t Half Hot Mum

-
He was tipped to be the next Richard Burton – but ended up as crossdressing Gunner Gloria in the now controversial sitcom. As his breakthrough classic returns to the screen, Hayes looks back One day in 1957, Melvyn Hayes was on the set of a film called Woman in a Dressing Gown when a man sat down next to him. “I was getting paid £5 a day and I’d been on location for three days,” the actor recalls. “All I had to do was walk up to a house and put a newspaper through a letterbox. That was my part. Finished. I said to this bloke, ‘I can’t believe the waste of money on this film. Take me. You could have got a newspaper boy on £1 a day to do what I’m doing.’ Then I said, ‘What do you do then, you lazy bugger?’ And he said, ‘I’m the producer.’” Hayes, now 89, giggles at the memory of the cheek of himself at 23. Back then, £5 a day was a decent whack. His first job in showbiz, in the early 1950s, was as assistant to The Great Masoni, a magician who tasked Hayes with “disappearing twice daily...
Read more

The Portable Door review – Harry Potter-ish YA fantasy carried by hardworking cast

-
Jeffrey Walker’s adaptation of the young-adult fantasy novel retains its edge thanks to its performances, but gets stuck on the whole door thing Adapted from Tom Holt’s 2003 young-adult fantasy novel, this is a passable attempt at kickstarting a new Harry Potter-style franchise set in a fusty-quirky institution, dosed up with extra Gilliamesque grotesquery. Co-produced by the Jim Henson Company, the production design is poky and intense, and the cast – with Christoph Waltz and Sam Neill larking it up – give it their all. But amid all this clutter, it sometimes has trouble moving its story forward. The Portable Door has a nice conceit: the venerable London corporation of JW Wells & Co is responsible for engineering all the daily incidents of coincidence and serendipity that happen in urban life. Not that wet-behind-the-ears intern Paul Carpenter (Patrick Gibson), desperate for any gig, knows the company’s raison d’etre when he signs up. He appears to have no discernible talents wh...
Read more