Jackky Bhagnani returns to acting after six years with Independence Day anthem 'Tere Rang Mein': "I wanted the street credibility and respect of Gen Z"

-
Jackky Bhagnani has returned to acting after a six-year gap with the Independence Day anthem 'Tere Rang Mein,' released under his music label Jjust Music. The actor-producer said the song offered him an opportunity to return to the screen with a project that was personally meaningful to him. Bhagnani described himself as a patriot and said the nature of the song played an important role in his decision to face the camera again. “I am a patriot by heart. It’s been quite some time since I faced the camera. So, I thought the best way to come back is with the right cause,” Bhagnani said. The actor's return comes after several years of focusing primarily on film production. According to Bhagnani, stepping away from acting was a conscious decision as he worked behind the scenes and became more involved in producing films. Jackky Bhagnani on focusing on film production Bhagnani said his experience as a producer made him rethink the way he wanted to approach his acting career. He ...
Post a Comment

EXCLUSIVE: No cuts, no ‘A’ rating - Kajol-starrer Maa is a RARE horror film to be awarded with a U/A certificate

-

After a fantastic last week for Bollywood thanks to the Aamir Khan-starrer Sitaare Zameen Par, the trade and industry now gears up for another exciting film, Maa. The trailer of the film caught attention due to the casting of Kajol, the horror genre, and the subject. The only concern was that the Central Board of Film Certification (CBFC) might ask for several cuts and even after doing so, they might award an ‘A’ certificate to the film. But with this film, the CBFC has given a pleasant surprise to one and all.

As per the cut list, the CBFC has passed the film without a single audio or visual cut. A source told Bollywood Hungama, “With CBFC, one can never know. In Sitaare Zameen Par, the members asked for Michael Jackson to be replaced by ‘lovebirds’ and ‘Business Woman’ was changed to ‘Business Person’. That and the insistence on adding a quote from the Prime Minister led to a storm. Hence, the fear was that when a clean film like Sitaare Zameen Par gets such cuts, what would happen to Maa which is a horror flick.”

The source continued, “However, the CBFC’s Examining Committee didn’t cut a single shot, though a few scenes are disturbing. And that’s not all. They also allowed the film to have a U/A 16+ rating. This means that the under-18 crowd can also view this film.”

This is a rarity because most horror or supernatural films are given an ‘A’ certificate like Chhorii 2 (2025), 1920: Horrors Of The Heart (2023), Bhoot: Part One – The Haunted Ship (2020), Amavas (2019), Ghost (2019), Tumbbad (2018) etc. The only other supernatural Hindi film of recent times which didn’t get an adults-only certificate was Shaitaan (2024); like Maa, it was also backed by Devgn Films and Jio Studios. Horror comedies, meanwhile, are passed with a U/A certificate though.

Coming back to Maa, the CBFC, however, simply asked the makers to increase the disclaimer length up to readable time and also asked them to add about "anti-girl child and human sacrifice" details. Lastly, as per the rules in force since 2021, the makers were told to mention the title of the film in Hindi as well.

Once these changes were made, the censor certificate was handed to the makers of Maa on June 20. The length of the film, as mentioned on the censor certificate, is 135.35 minutes, that is, 2 hours 15 minutes and 35 seconds.

Maa releases in cinemas on June 27.

Also Read: EXCLUSIVE: Jitin Gulati shares his excitement about being part of Kajol starrer Maa; says, “It was an easy yes”



from Latest Bollywood News | Hindi Movie News | Hindi Cinema News | Indian Movies | Films - Bollywood Hungama https://ift.tt/Fx549Vj
via IFTTT

Comments

Post a Comment

Popular posts from this blog

The Miracle Club review – Maggie Smith can’t save this rocky road trip to Lourdes

-
Laura Linney is upstaged by older co-stars Smith and Kathy Bates in this sentimental tale about a group of Dublin women who go on a spiritual journey together Who’s up for a golden-hued heartwarmer set in 60s Ireland starring Kathy Bates and Maggie Smith about women with secret fears and dreams going on a church trip to Lourdes and finally finding the real miracle is their new compassion for each other? The answer to this question could well have been … me. I have a liking for a gentle tale and there is nothing necessarily wrong with, just occasionally, showing Ireland and the church of this period with something other than outrage and horror. But The Miracle Club does not at any time, to use a discredited metaphor, throw away its crutches and walk. And it’s painful to note that this is largely because of the way film can’t convincingly use that estimable actor Laura Linney in a central role. She is upstaged by the older, fruitier performances and doesn’t hold her own with a more seri...
Read more

‘I lost a friend of almost 40 years’: Nancy Meyers pays tribute to Diane Keaton

-
Film-maker who directed Keaton in Something’s Gotta Give, and wrote Baby Boom and Father of the Bride, says ‘we have lost a giant’ Film-maker Nancy Meyers has paid tribute to the late Diane Keaton, her “friend of almost 40 years” and collaborator on celebrated comedies Something’s Gotta Give, Baby Boom and Father of the Bride. On Monday, Meyers wrote on Instagram that she’d had a difficult 48 hours since Keaton’s death was announced on Saturday, but “seeing all of your tributes to Diane has been a comfort.” Continue reading... from Film | The Guardian https://ift.tt/TFc820j via IFTTT
Read more

Omen (Augure) review – Baloji offers secrets and sorcery in Congolese homecoming

-
Musician and film-maker’s story about a Belgian-Congolese man who takes his white wife to DRC to meet the family is complex, risky and bold Congolese-born rapper, musician and film-maker Baloji (né Serge Baloji Tshiani) was a prizewinner at Cannes last year with this feature directing debut: a dynamic, teemingly populated, multistranded and tonally elusive picture which I initially thought would benefit from comparisons with Jordan Peele’s horror classic Get Out. In fact, it’s more complicated than that. Koffi (Marc Zinga) is a Congolese man living in Belgium and married to a white woman, Alice (Lucie Debay). They are about to have twins and Koffi feels that he cannot put it off any further: whatever his family will think, the couple must journey back to the Democratic Republic of the Congo to let them see Alice and let them get used to the idea. It particularly means propitiating his fiercely conservative mother Mujila (Yves-Marina Gnahoua). He takes care to shave off his westernis...
Read more