A Woman’s Life review – a breezy comedy of midlife crisis and same-sex affair

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Cannes film festival: Léa Drucker gives a bravura performance as a brilliant surgeon whose already chaotic life is further complicated by a same-sex affair with a journalist Charline Bourgeois-Tacquet’s new film is a hectic, garrulous, breezily agreeable comedy of midlife emotional upheaval, unencumbered by any serious or permanent concern about any of the passion and heartache that it briefly encounters. It’s also a movie that declines to allow its characters to be changed in any way by the excitements and disappointments that life has to throw at them. Léa Drucker carries off the lead with terrifically competent elan; there’s hardly a scene in which she is not interrupted by a call on her mobile, going into bravura walk-and-talk acting on the phone while on the street, arriving at the office or getting into or out of her car. She plays Gabrielle, a brilliant surgeon – what other sort is there in the movies? – who specialises in maxillofacial reconstruction. Gabrielle is battling budg...
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Walk on the wild side: Gillian Anderson and Jason Isaacs on their epic hiking movie The Salt Path

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Raynor Winn’s bestselling memoir about her and her husband’s 630-mile trek around England’s south coast has become a film. Its stars, makers and Winn talk floods, fog and forgiveness

‘I have played a lot of powerful, well-dressed women in my career,” says Gillian Anderson. They flash before your eyes: Margaret Thatcher (The Crown), Eleanor Roosevelt (The First Lady), Emily Maitlis (the Prince Andrew/Newsnight drama Scoop) – as well as the formidable sex therapist in the Netflix hit Sex Education, a role that led to her being inundated with dildos from over-enthusiastic fans. “These are all women in control of themselves and their environment. Any time I have an opportunity to steer against that, particularly lately, it’s of interest to me.”

There is steering in another direction, and then there is the screeching handbrake turn represented by her role in The Salt Path, adapted from Raynor Winn’s 2018 memoir of homelessness and hope along the coastline of England’s south-west. Playing Winn, Anderson is shown making a single teabag stretch for several cuppas, withdrawing the final £1.38 from her bank account, and warming her blistered feet by a pub fire. A typical day begins with her peeing in the undergrowth. It’s a far cry from Agent Scully in The X-Files.

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