The Blood Countess review – Isabelle Huppert reigns supreme in a surreal vampire fantasia

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Vienna turns into a playground of camp, cruelty and aristocratic disdain in a blackly comic take on the Báthory legend – with Huppert gloriously suited to the title role From the dark heart of central Europe comes a midnight-movie romp through the moonlit urban glades of Euro-goth and camp from German director Ulrike Ottinger. As for the star … well, it’s the part she was born to play. Isabelle Huppert is Countess Elizabeth Báthory, 16th-century Hungarian noblewoman and serial killer, legendary for having the blood of hundreds of young girls on her hands and indeed her body, in an attempt to attain eternal youth. The “blood countess” has been variously played in the past by Ingrid Pitt, Delphine Seyrig, Paloma Picasso, Julie Delpy and many more, but surely none were as qualified as Huppert who importantly does not modify her habitual hauteur one iota for the role. Her natural aristocratic mien and cool hint of elegant contempt were never so well matched with a part. She gives us the ...
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Walk on the wild side: Gillian Anderson and Jason Isaacs on their epic hiking movie The Salt Path

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Raynor Winn’s bestselling memoir about her and her husband’s 630-mile trek around England’s south coast has become a film. Its stars, makers and Winn talk floods, fog and forgiveness

‘I have played a lot of powerful, well-dressed women in my career,” says Gillian Anderson. They flash before your eyes: Margaret Thatcher (The Crown), Eleanor Roosevelt (The First Lady), Emily Maitlis (the Prince Andrew/Newsnight drama Scoop) – as well as the formidable sex therapist in the Netflix hit Sex Education, a role that led to her being inundated with dildos from over-enthusiastic fans. “These are all women in control of themselves and their environment. Any time I have an opportunity to steer against that, particularly lately, it’s of interest to me.”

There is steering in another direction, and then there is the screeching handbrake turn represented by her role in The Salt Path, adapted from Raynor Winn’s 2018 memoir of homelessness and hope along the coastline of England’s south-west. Playing Winn, Anderson is shown making a single teabag stretch for several cuppas, withdrawing the final £1.38 from her bank account, and warming her blistered feet by a pub fire. A typical day begins with her peeing in the undergrowth. It’s a far cry from Agent Scully in The X-Files.

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