‘People didn’t like women in space’: how Sally Ride made history and paid the price

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Ride was the first US woman in space – but a National Geographic documentary looks at how she was forced to hide her queerness to succeed A week before Sally – a documentary about the first American woman to fly into space – landed at the Sundance film festival in January, Nasa employees received emails informing them how Donald Trump’s diversity, equity and inclusion (DEI) rollbacks would take effect. Contracts and offices associated with DEI programs were to be terminated. Staff were given Orwellian instruction to inform the government of any attempt to disguise inclusion efforts in “coded or imprecise language”. In the weeks to follow, Nasa would take back its promise to send the first woman and person of color to the moon’s surface. Meanwhile, employees are reported to be hiding their rainbow flags and any other expressions of solidarity with the LGBTQ+ community, allegedly because they were instructed to do so though Nasa denies those claims. Continue reading... from Film |...
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‘Space travel is queer’: the unstoppable film-maker skewering Bezos and Musk’s macho fantasies

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She founded Nasa’s orchestra and has bounced heartbeats off the moon. Now Nelly Ben Hayoun-Stépanian has made a hilarious film taking issue with the tech bros’ dreams of celestial conquest

‘She’s a great inspiration,” says Nelly Ben Hayoun-Stépanian, picking up a photo she keeps in her wildly decorated office of the scientist Marie Curie, the first woman to win a Nobel prize and also the first person to win one twice. “I pick people that really inspire me. Partners in crime. When a project is difficult, I think, ‘What would Marie Curie have done? What would Hannah Arendt have done?’ Hahaha.”

She talks mile-a-minute, finishing sentences with a laugh as she speaks to me in her office, which could well be the best one in London: an old, graffiti-covered tube carriage plonked on top of the roof of a Shoreditch nightclub, with views over the city. Its interior is loud and colourful: posters and flyers plaster the walls, while the floor is a trippy swirl of purples and pinks. And, propped up on her desk, is that photo of Curie.

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