The Mission review – a surgeon saves lives in war-torn Gaza in a visceral portrait of human endurance

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Mohammad Tahir and his colleagues operate through bombing and blackouts in barely functional hospitals – but there are moments of relief amid the documentary’s tragedy and gore What this documentary might lack in film-making finesse it makes up for with sheer visceral and emotional impact. British nerve surgeon Mohammad Tahir and his colleagues, who also work the cameras, toil in Gaza’s barely operational hospitals during some of the worst days and nights of the war in the winter of 2024-25. Supported by US-based charity FAJR Global , who provide medical care to the world’s most in need, Tahir operates through bombings and blackouts with a bare minimum of medical supplies, sometimes treating patients lying on the floor in puddles of blood because there are no gurneys. This is often hard to watch, and not just because of all the gore; many of the victims are children, out of whom Tahir and the others dig bullets as well as tiny tungsten cubes, new-fangled shrapnel designed to cause maxi...
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‘Space travel is queer’: the unstoppable film-maker skewering Bezos and Musk’s macho fantasies

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She founded Nasa’s orchestra and has bounced heartbeats off the moon. Now Nelly Ben Hayoun-Stépanian has made a hilarious film taking issue with the tech bros’ dreams of celestial conquest

‘She’s a great inspiration,” says Nelly Ben Hayoun-Stépanian, picking up a photo she keeps in her wildly decorated office of the scientist Marie Curie, the first woman to win a Nobel prize and also the first person to win one twice. “I pick people that really inspire me. Partners in crime. When a project is difficult, I think, ‘What would Marie Curie have done? What would Hannah Arendt have done?’ Hahaha.”

She talks mile-a-minute, finishing sentences with a laugh as she speaks to me in her office, which could well be the best one in London: an old, graffiti-covered tube carriage plonked on top of the roof of a Shoreditch nightclub, with views over the city. Its interior is loud and colourful: posters and flyers plaster the walls, while the floor is a trippy swirl of purples and pinks. And, propped up on her desk, is that photo of Curie.

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