A Woman’s Life review – a breezy comedy of midlife crisis and same-sex affair

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Cannes film festival: Léa Drucker gives a bravura performance as a brilliant surgeon whose already chaotic life is further complicated by a same-sex affair with a journalist Charline Bourgeois-Tacquet’s new film is a hectic, garrulous, breezily agreeable comedy of midlife emotional upheaval, unencumbered by any serious or permanent concern about any of the passion and heartache that it briefly encounters. It’s also a movie that declines to allow its characters to be changed in any way by the excitements and disappointments that life has to throw at them. Léa Drucker carries off the lead with terrifically competent elan; there’s hardly a scene in which she is not interrupted by a call on her mobile, going into bravura walk-and-talk acting on the phone while on the street, arriving at the office or getting into or out of her car. She plays Gabrielle, a brilliant surgeon – what other sort is there in the movies? – who specialises in maxillofacial reconstruction. Gabrielle is battling budg...
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‘Space travel is queer’: the unstoppable film-maker skewering Bezos and Musk’s macho fantasies

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She founded Nasa’s orchestra and has bounced heartbeats off the moon. Now Nelly Ben Hayoun-Stépanian has made a hilarious film taking issue with the tech bros’ dreams of celestial conquest

‘She’s a great inspiration,” says Nelly Ben Hayoun-Stépanian, picking up a photo she keeps in her wildly decorated office of the scientist Marie Curie, the first woman to win a Nobel prize and also the first person to win one twice. “I pick people that really inspire me. Partners in crime. When a project is difficult, I think, ‘What would Marie Curie have done? What would Hannah Arendt have done?’ Hahaha.”

She talks mile-a-minute, finishing sentences with a laugh as she speaks to me in her office, which could well be the best one in London: an old, graffiti-covered tube carriage plonked on top of the roof of a Shoreditch nightclub, with views over the city. Its interior is loud and colourful: posters and flyers plaster the walls, while the floor is a trippy swirl of purples and pinks. And, propped up on her desk, is that photo of Curie.

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