EXCLUSIVE: Trailer of Kapil Sharma-starrer Kis Kisko Pyaar Karoon 2 to be launched in a GRAND event on November 26

10 years ago, Kapil Sharma made a rocking debut in Hindi films with Kis Kisko Pyaar Karoon (2015). It surprised the trade and industry as it opened in double digits, at Rs. 10.15 crores. As a result, expectations are tremendous for its second part, titled Kis Kisko Pyaar Karoon 2. Bollywood Hungama has learned that the trailer will be launched in 2 days from now. A source told Bollywood Hungama, “The theatrical trailer of Kis Kisko Pyaar Karoon 2 will be unveiled on Wednesday, November 26, at a grand event in Mumbai. It will be graced by lead actor Kapil Sharma, Manjot Singh and his four heroines, namely, Warina Hussain, Ayesha Khan, Tridha Choudhury and Parul Gulati. Director Anukalp Goswami and producers Ratan Jain, Ganesh Jain and Abbas-Mustan are also expected to be present.” The source further said, “The makers are happy with the way Kis Kisko Pyaar Karoon 2 has shaped up and are excited to launch the trailer in a big way. Hence, they have decided to go all out for the event. Mo...

Resurrection review – fascinating phantasmagoria is wild riddle about new China and an old universe

In Bi Gan’s ambitious alternate reality, where humans can live indefinitely, a reincarnating dissident dreamer travels through history in different guises

Bi Gan’s new movie in Cannes is bold and ambitious, visually amazing, trippy and woozy in its embrace of hallucination and the heightened meaning of the unreal and the dreamlike. His last film Long Day’s Journey Into Night from 2018 was an extraordinary and almost extraterrestrial experience in the cinema which challenged the audience to examine what they thought about time and memory; this doesn’t have quite that power, being effectively a portmanteau movie, some of whose sections are better than others – though it climaxes with some gasp-inducing images and tracking shots and all the constituent parts contribute to the film’s aggregate effect.

Resurrection is, perhaps, a long night’s journey to the enlightenment of daybreak; it finishes at a club called the Sunrise. It is also an episodic journey through Chinese history, finishing at that historic moment which continues to fascinate Chinese film-makers whose movies are a way of collectively processing their feelings about it: New Year’s Eve 1999, the new century in which China was to bullishly embrace the new capitalism while cleaving to the political conformism of the old ways.

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