Ranbir Kapoor's ARKS launches its first fragrance 'ARKS Day', expanding into the world of scents

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Ranbir Kapoor’s premium lifestyle brand, ARKS, has taken a significant stride beyond fashion and footwear with the launch of its debut fragrance—ARKS Day. Known for redefining everyday essentials through the lens of minimalism and quiet confidence, ARKS now explores the world of fine fragrances, marking a new chapter in its evolving identity. ARKS Day is designed as the finishing touch to one’s daily ensemble— “the final, invisible layer before you step out the door.” Gender-inclusive and timeless, the fragrance embodies ARKS' signature ethos of subtle sophistication. It opens with a fresh citrusy burst, layered with warm woody undertones, and settles into a musky finish—mirroring the brand’s philosophy of balance, simplicity, and inner strength. “ARKS Day brings back a lot of memories from my childhood—the places I felt drawn to, the people who made me feel at home. We wanted to capture that essence in this first bottle. It's familiar, grounding, and made for those who carry...
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Resurrection review – fascinating phantasmagoria is wild riddle about new China and an old universe

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In Bi Gan’s ambitious alternate reality, where humans can live indefinitely, a reincarnating dissident dreamer travels through history in different guises

Bi Gan’s new movie in Cannes is bold and ambitious, visually amazing, trippy and woozy in its embrace of hallucination and the heightened meaning of the unreal and the dreamlike. His last film Long Day’s Journey Into Night from 2018 was an extraordinary and almost extraterrestrial experience in the cinema which challenged the audience to examine what they thought about time and memory; this doesn’t have quite that power, being effectively a portmanteau movie, some of whose sections are better than others – though it climaxes with some gasp-inducing images and tracking shots and all the constituent parts contribute to the film’s aggregate effect.

Resurrection is, perhaps, a long night’s journey to the enlightenment of daybreak; it finishes at a club called the Sunrise. It is also an episodic journey through Chinese history, finishing at that historic moment which continues to fascinate Chinese film-makers whose movies are a way of collectively processing their feelings about it: New Year’s Eve 1999, the new century in which China was to bullishly embrace the new capitalism while cleaving to the political conformism of the old ways.

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