‘People didn’t like women in space’: how Sally Ride made history and paid the price

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Ride was the first US woman in space – but a National Geographic documentary looks at how she was forced to hide her queerness to succeed A week before Sally – a documentary about the first American woman to fly into space – landed at the Sundance film festival in January, Nasa employees received emails informing them how Donald Trump’s diversity, equity and inclusion (DEI) rollbacks would take effect. Contracts and offices associated with DEI programs were to be terminated. Staff were given Orwellian instruction to inform the government of any attempt to disguise inclusion efforts in “coded or imprecise language”. In the weeks to follow, Nasa would take back its promise to send the first woman and person of color to the moon’s surface. Meanwhile, employees are reported to be hiding their rainbow flags and any other expressions of solidarity with the LGBTQ+ community, allegedly because they were instructed to do so though Nasa denies those claims. Continue reading... from Film |...
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Nouvelle Vague – Richard Linklater bends the knee to Breathless and Jean-Luc Godard

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Linklater recreates the making of the landmark French New Wave classic with an awestruck tastefulness that smooths over any disruptiveness

Breathless, deathless … and pointless? Here is Richard Linklater’s impeccably submissive, tastefully cinephile period drama about the making of Godard’s debut 1960 classic À Bout de Souffle, that starred Jean Seberg and Jean-Paul Belmondo as the star-crossed lovers in Paris. Linklater’s homage has credits in French and is beautifully shot in monochrome, as opposed to the boring old colour of real life in which the events were actually happening; he even cutely fabricates cue marks in the corner of the screen, those things that once told projectionists when to changeover the reels. But Linklater smoothly avoids any disruptive jump-cuts.

It’s a good natured, intelligent effort for which Godard himself, were he still alive, would undoubtedly have ripped Linklater a new one. (When Michel Hazanavicius made Redoubtable in 2017 about Godard’s making of his 1967 film La Chinoise, the man himself called that “a stupid, stupid idea”; Hazanavicius wasn’t even making a film about Godard’s first and biggest hit.

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