Chaos at the box office: Scary Movie postponed; Hai Jawani Toh Ishq Hona Hai, Peddi, He-Man And The Masters Of The Universe face screen-sharing issues

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The first Friday of June will see several films releasing in cinemas like Hai Jawani Toh Ishq Hona Hai, Bandar and Ram Charan-starrer Peddi. Two Hollywood films were also scheduled for release – He-Man And The Masters Of The Universe and Scary Movie. Bollywood Hungama has learned that the latter won’t be able to make it to cinemas this Friday, June 5. An exhibitor told Bollywood Hungama, “We don’t know what the reason is for the delay. It may be due to too many films this week. Last week’s Obsession is also going strong and it’ll take up some shows. Or it could be due to censorship issues. It now remains to be seen whether Scary Movie arrives next Friday, June 12.” Meanwhile, as expected, the screen-sharing issues have cropped up between Peddi in the Hindi-speaking markets and Hai Jawani Toh Ishq Hona Hai. The former, which also stars Janhvi Kapoor, releases in cinemas on June 4. A trade source told us, “The non-national multiplexes have thrown open the bookings of Peddi. The issue ha...
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Nouvelle Vague – Richard Linklater bends the knee to Breathless and Jean-Luc Godard

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Linklater recreates the making of the landmark French New Wave classic with an awestruck tastefulness that smooths over any disruptiveness

Breathless, deathless … and pointless? Here is Richard Linklater’s impeccably submissive, tastefully cinephile period drama about the making of Godard’s debut 1960 classic À Bout de Souffle, that starred Jean Seberg and Jean-Paul Belmondo as the star-crossed lovers in Paris. Linklater’s homage has credits in French and is beautifully shot in monochrome, as opposed to the boring old colour of real life in which the events were actually happening; he even cutely fabricates cue marks in the corner of the screen, those things that once told projectionists when to changeover the reels. But Linklater smoothly avoids any disruptive jump-cuts.

It’s a good natured, intelligent effort for which Godard himself, were he still alive, would undoubtedly have ripped Linklater a new one. (When Michel Hazanavicius made Redoubtable in 2017 about Godard’s making of his 1967 film La Chinoise, the man himself called that “a stupid, stupid idea”; Hazanavicius wasn’t even making a film about Godard’s first and biggest hit.

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