‘I must document everything’: the film about the Palestinian photographer killed by missiles in Gaza

Fatma Hassouna used poetry and photography to record the death and devastation she saw daily. Was she targeted by the IDF? We speak to the director of Put Your Soul on Your Hand and Walk, a film about the journalist Israel has sought to pursue its campaign of annihilation against Gaza and its people behind closed doors. More than 170 Palestinian journalists have been killed so far, and no outside reporters or cameras are allowed in. The effects of this policy of concealment – which the Guardian managed to pierce this week with a shocking aerial photograph that made the front page – are to ensure that the outside world only catches sight of Gaza’s horrors in small fragments, and to stifle empathy for those trapped inside by hiding them from view, obscuring their humanity. But a new documentary film, Put Your Soul on Your Hand and Walk, seeks to open a window to the unfathomable suffering inside Gaza. Continue reading... from Film | The Guardian https://ift.tt/OQNX6g1 via IFTTT

Nouvelle Vague – Richard Linklater bends the knee to Breathless and Jean-Luc Godard

Linklater recreates the making of the landmark French New Wave classic with an awestruck tastefulness that smooths over any disruptiveness

Breathless, deathless … and pointless? Here is Richard Linklater’s impeccably submissive, tastefully cinephile period drama about the making of Godard’s debut 1960 classic À Bout de Souffle, that starred Jean Seberg and Jean-Paul Belmondo as the star-crossed lovers in Paris. Linklater’s homage has credits in French and is beautifully shot in monochrome, as opposed to the boring old colour of real life in which the events were actually happening; he even cutely fabricates cue marks in the corner of the screen, those things that once told projectionists when to changeover the reels. But Linklater smoothly avoids any disruptive jump-cuts.

It’s a good natured, intelligent effort for which Godard himself, were he still alive, would undoubtedly have ripped Linklater a new one. (When Michel Hazanavicius made Redoubtable in 2017 about Godard’s making of his 1967 film La Chinoise, the man himself called that “a stupid, stupid idea”; Hazanavicius wasn’t even making a film about Godard’s first and biggest hit.

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