The Blood Countess review – Isabelle Huppert reigns supreme in a surreal vampire fantasia

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Vienna turns into a playground of camp, cruelty and aristocratic disdain in a blackly comic take on the Báthory legend – with Huppert gloriously suited to the title role From the dark heart of central Europe comes a midnight-movie romp through the moonlit urban glades of Euro-goth and camp from German director Ulrike Ottinger. As for the star … well, it’s the part she was born to play. Isabelle Huppert is Countess Elizabeth Báthory, 16th-century Hungarian noblewoman and serial killer, legendary for having the blood of hundreds of young girls on her hands and indeed her body, in an attempt to attain eternal youth. The “blood countess” has been variously played in the past by Ingrid Pitt, Delphine Seyrig, Paloma Picasso, Julie Delpy and many more, but surely none were as qualified as Huppert who importantly does not modify her habitual hauteur one iota for the role. Her natural aristocratic mien and cool hint of elegant contempt were never so well matched with a part. She gives us the ...
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Mountainhead review – tech bros face off in Jesse Armstrong’s post-Succession uber-wealth satire

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Weapons-grade zingers come thick and fast in this chamber piece about four plutocrats on a weekend in a lodge that goes awry when the planet descends into chaos

Jesse Armstrong has returned with what feels like a horribly addictive feature-length spin-off episode from the extended Succession Cinematic Universe – though without Succession cast members. It is set in a luxurious Utah megalodge which winds up resembling the Dr Strangelove war room, mixed with the apartment from Hitchcock’s Rope. Mountainhead is a super-satirical chamber piece about the deranged, cynical and facetious mindset of the uber-wealthy, the kind of people who think about ancient Rome every day, though not about Nero and his violin. It may not have the dramatic richness of Armstrong’s TV meisterwerk while the pure testosterone of this all-male main cast (minus any Shiv figure) is oppressive – though that is kind of the point. The pure density of weapons-grade zingers in the script is a marvel.

Our heroes are four unspeakable American tech plutocrats, a billionaire boys club with one mere centi-millionaire who isn’t up to “bill” status; this beta-male cuck of their peer group is nicknamed “Soup Kitchen” because of his poverty, and he is their eager host. They are exactly the kind of people with whom legacy media aristocrat Logan Roy (played in Succession by Brian Cox) would once grit his teeth and take meetings, vainly hoping for investment. These masters of the universe are getting together for an alpha bros’ hang-slash-poker-weekend, razzing and bantering with each other with deadly seriousness about their respective wealth levels, at this mega-lodge that is called Mountainhead. As one guest asks: “Is that like The Fountainhead? Your interior designer is Ayn Bland …?”

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