The Blood Countess review – Isabelle Huppert reigns supreme in a surreal vampire fantasia

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Vienna turns into a playground of camp, cruelty and aristocratic disdain in a blackly comic take on the Báthory legend – with Huppert gloriously suited to the title role From the dark heart of central Europe comes a midnight-movie romp through the moonlit urban glades of Euro-goth and camp from German director Ulrike Ottinger. As for the star … well, it’s the part she was born to play. Isabelle Huppert is Countess Elizabeth Báthory, 16th-century Hungarian noblewoman and serial killer, legendary for having the blood of hundreds of young girls on her hands and indeed her body, in an attempt to attain eternal youth. The “blood countess” has been variously played in the past by Ingrid Pitt, Delphine Seyrig, Paloma Picasso, Julie Delpy and many more, but surely none were as qualified as Huppert who importantly does not modify her habitual hauteur one iota for the role. Her natural aristocratic mien and cool hint of elegant contempt were never so well matched with a part. She gives us the ...
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James Foley obituary

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American film director best known for Glengarry Glen Ross and At Close Range

The film director James Foley, who has died from brain cancer aged 71, was a self-effacing and shrewd stylist whose camerawork always served the actors and the psychology of the characters. This thespian focus was best showcased in his 1992 adaptation of David Mamet’s stage play Glengarry Glen Ross; its heavyweight cast, which included Al Pacino, Jack Lemmon, Alec Baldwin, Ed Harris and Kevin Spacey, might have overwhelmed a less purposeful supervisor.

But in his hands this dissection of American capitalism, set in a beleaguered real-estate office, became an actors’ masterclass; the cast would turn up on their days off to watch each other work. Foley had been convinced to direct it by a new version of Mamet’s script that broke down what on stage had been cerebral monologues into pithy, visceral repartee. Accordingly, the director insisted on casting “great actors, people with movie charisma, to give it watchability, especially since the locations were so restricted”.

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