Our Fault review – ultra-glossy Spanish step-sibling melodrama is too bland to be annoying

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Third film adapted from the romance novels by Mercedes Ron, originally written in Spanish, feels clunky and cliched This is the third film in a series, after My Fault in 2023 and Your Fault in 2024 , that have been adapted from the Culpable trilogy, romance novels by Mercedes Ron, originally written in Spanish. It’s obviously aimed at a specific market that expects a certain blend of melodrama, softcore sex and lush lifestyle porn, and (more importantly) is invested already in the trilogy’s story. Given those parameters, it probably delivers – although the dialogue, at least judging by the subtitles, is super clunky and cliched. Complete outsiders coming to this cold may be a little baffled by what’s going on, since this concluding instalment makes no effort to fill in any blanks. But even total newbies will get the gist that heroine Noah (Nicole Wallace) still has feelings for her ex Nick (Gabriel Guevara) – who also, somewhat disturbingly, was once her stepbrother, although their ...
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Jafar Panahi’s Cannes victory is a wonderful moment for an amazingly courageous film-maker

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Panahi has endured years of harassment from the Iranian authorities but has created a tremendous body of work; his Palme d’Or is richly deserved

In the end, the Cannes Palme d’Or went to the most courageous film director in the world. It was a very satisfying grownup decision, favouring a remarkable and utterly individual film-maker: the director and democracy campaigner Jafar Panahi, an artist who unlike any other director in the Cannes competition really has suffered, taken real risks for cinema and spoken truth to power – and endured arrest and imprisonment for his pains.

He has created a rich canon of work which has told the world about Iranian society and the Iranian mind with a subtlety and depth that we are never going to get from the TV news.

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