A Woman’s Life review – a breezy comedy of midlife crisis and same-sex affair

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Cannes film festival: Léa Drucker gives a bravura performance as a brilliant surgeon whose already chaotic life is further complicated by a same-sex affair with a journalist Charline Bourgeois-Tacquet’s new film is a hectic, garrulous, breezily agreeable comedy of midlife emotional upheaval, unencumbered by any serious or permanent concern about any of the passion and heartache that it briefly encounters. It’s also a movie that declines to allow its characters to be changed in any way by the excitements and disappointments that life has to throw at them. Léa Drucker carries off the lead with terrifically competent elan; there’s hardly a scene in which she is not interrupted by a call on her mobile, going into bravura walk-and-talk acting on the phone while on the street, arriving at the office or getting into or out of her car. She plays Gabrielle, a brilliant surgeon – what other sort is there in the movies? – who specialises in maxillofacial reconstruction. Gabrielle is battling budg...
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Iranian director Jafar Panahi wins Palme d’Or at Cannes for It Was Just an Accident

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Panahi, long censored and previously imprisoned in his home country, took top prize as Sentimental Value and The Secret Agent also honoured

The dissident Iranian film-maker Jafar Panahi has won the top prize at the Cannes film festival for his drama It Was Just an Accident, inspired by his stints of imprisonment at the hands of the Iranian government.

The film was the first made by the director after being released from prison in 2023 – although he has continued to direct over the years despite being expressly forbidden to do so. In 2011, a year after his first arrest, a copy of his drama This Is Not a Film was snuck into Cannes on a USB stick hidden in a cake.

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